{"data":[{"id":39,"attributes":{"title":"Geschichten vom Heiraten","description":"Die Ausstellung in der restaurierten Schlossremise in Vetschau in unmittelbarer Nähe zum Standesamt im Schloss erzählt „Geschichten vom Heiraten“ aus der Perspektive des Ortes und seiner Bürger. Sie zeigt, dass das Schloss selbst und seine wechselnden Besitzverhältnisse über die Jahrhunderte immer wieder ein Spielball in Heiratsgeschichten gewesen ist, und sie erzählt von ehemaligen Bewohnern des Schlosses und ihren Geschichten vom Heiraten. Die Vetschauer Bürgerinnen und Bürger von heute haben uns ihre Fotoalben geöffnet und zeigen Brautpaare und Festgesellschaften aus den letzten 100 Jahren. Und schließlich berichten sie in Interviews von ihren eigenen Hochzeiten, von der Trauung und den Festen, von ihren Zweifeln und ihren Träumen, von großen Erwartungen und kleinen Pannen. Im Festsaal, in dem nun wieder Brautpaare sich das Ja-Wort geben können, hat der Künstler Andrée Volkmann dafür eine Tapete mit ganz eigenen „Geschichten vom Heiraten“ gestaltet.\nEbenso finden sich für die Besucher Kochrezepte für das Fest – Brautsuppe oder Schwarze Tunke, falsches Filet oder Rhabarberkuchen – in der Schwarzen Küche!","year":"2015","duration":null,"format":"Mono, Stereo","credits":"Konzeption: Nicola Lepp, büro für neues gestalten, Berlin\nSzenografie: [chezweitz GmbH](https://www.chezweitz.com/de/home/hochzeitsmuseum-vetschau), Dr. Sonja Beeck und Detlef Weitz mit Julia Volkmar (Art Direktion), Johannes Boegle (Ausstellungsgrafik), Theopistos Tzioutzias (Architektur), Laura Stolte (Grafik), Thomas Frank (Grafik)\nHochzeitstapete und Illustrationen: Andree Volkmann\nProjektleitung: Ines Linder\nProjektkoordination: Tanja Wehking\nAusstellungsbau: Bel-Tec GmbH\nGrafikproduktion: PPS Imaging GmbH, Dresden\nMedientechnik: PA-Vision, Nordhorn\nAudio: Elena Zieser\nFotos: Johannes Bögle","createdAt":"2023-10-07T13:39:32.592Z","updatedAt":"2023-11-13T15:35:29.843Z","publishedAt":"2023-10-20T17:14:02.492Z","locale":"de","videoURL":null,"coverImage":{"data":{"id":160,"attributes":{"name":"geschichtenHeriaten1.jpeg","alternativeText":null,"caption":null,"width":1280,"height":994,"formats":{"large":{"ext":".jpeg","url":"/uploads/large_Screenshot_2023_10_20_at_19_00_08_Large_aaba8687f5.jpeg","hash":"large_Screenshot_2023_10_20_at_19_00_08_Large_aaba8687f5","mime":"image/jpeg","name":"large_Screenshot 2023-10-20 at 19.00.08 Large.jpeg","path":null,"size":120.99,"width":1000,"height":777},"small":{"ext":".jpeg","url":"/uploads/small_Screenshot_2023_10_20_at_19_00_08_Large_aaba8687f5.jpeg","hash":"small_Screenshot_2023_10_20_at_19_00_08_Large_aaba8687f5","mime":"image/jpeg","name":"small_Screenshot 2023-10-20 at 19.00.08 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It shows that the castle itself and its changing ownership over the centuries has always been a pawn in marriage stories, and it tells of former residents of the castle and their stories of getting married. The citizens of Vetschau today have opened their photo albums and show us bridal couples and festive parties from the last 100 years. And finally, in interviews, they talk about their own weddings, about the ceremony and the celebrations, about their doubts and their dreams, about great expectations and small mishaps. In the ballroom, where bridal couples can now say \"I do\" again, artist Andrée Volkmann has created a wallpaper with his very own \"stories of getting married\".\nVisitors can also find recipes for the celebration - bridal soup or black dip, fake fillet or rhubarb pie - in the black kitchen!","year":"2015","duration":null,"format":"Mono, Stereo","credits":"Conception: Nicola Lepp, büro für neues gestalten, Berlin\nScenography: [chezweitz GmbH](https://www.chezweitz.com/de/home/hochzeitsmuseum-vetschau), Dr. Sonja Beeck und Detlef Weitz mit Julia Volkmar (Art Direktion), Johannes Boegle (Ausstellungsgrafik), Theopistos Tzioutzias (Architektur), Laura Stolte (Grafik), Thomas Frank (Grafik)\nWallpaper and Illustration: Andree Volkmann\nProjectmanagment: Ines Linder\nProject coordination: Tanja Wehking\nExhibition construction: Bel-Tec GmbH\nDesign: PPS Imaging GmbH, Dresden\nMedia engineering: PA-Vision, Nordhorn\nAudio: Elena Zieser\nPhotos: Johannes Bögle","createdAt":"2023-10-21T07:00:36.186Z","updatedAt":"2023-11-13T15:35:29.924Z","publishedAt":"2023-10-21T07:09:36.303Z","locale":"en","videoURL":null}}]}}},{"id":1,"attributes":{"title":"Helena","description":"Freundschaft ist eine Geschichte, die sich selbst erzählt. Mit einem Anfang und einem Ende, ein Raum im Raum, der sich immer wieder neu erfindet und der am Ende wieder einen Anfang markiert.\nHELENA ist die Geschichte einer Frauenfreundschaft. Die eine findet nach Jahren längst vergessene Traumaufnahmen der anderen wieder und fängt an sich zu erinnern: an die Liebe, die gemeinsame Zeit, den Bruch und daran, wie sie einander verloren haben. Dazwischen sind die Träume (Originaltonaufnahmen von 2013-2015) zu hören, die einen Einblick in eine absurde, höchst fragile und sensible Welt ermöglichen und in seltsamer Verbindung zu ihrer Freundschaft stehen.\n\nElena Zieser hat HELENA im Rahmen ihres Studiums \"Medienkunst\" am Lehrstuhl Experimentelles Radio der Bauhaus-Universität Weimar als Master-Abschlussarbeit realisiert und wurde mit dem Prix Europa \"[Digital Audio Rising Star](lhttps://www.uni-weimar.de/de/universitaet/aktuell/bauhausjournal-online/erfolge/titel/abschlussarbeit-von-medienkunst-alumna-elena-zieser-bei-prix-europa-ausgezeichnet/)\" ausgezeichnet.","year":"2019","duration":"57","format":"Stereo","credits":"- Mit: Hella Vahl, [Bettina Wiehler](http://www.bettinawiehler.de/Bettina_Wiehler/Bettina_Wiehler.html)\n- Text, Regie, Schnitt und Mixing: Elena Zieser\n- Musik und Komposition: [Niklas Kammermeier](https://www.niklaskammermeier.de/)\n- Gesang: Hella Vahl, Bettina Wiehler, Elke Schröder, Rosemarie Kaiser und der Gostenhofer Gesangsverein\n\nEine Produktion des [Experimentellen Radio](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/) an der Bauhaus-Universität Weimar, 2019.\n\nAusstrahlungen:\nPA58, Berlin, 6.5.2019\n[Ars Electronica](https://ars.electronica.art/outofthebox/en/experimentalradioshowcase/), 2019\n[Akademie der Künste](https://www.adk.de/index.htm) Berlin, 8.8.2019\n[SRF2](https://www.srf.ch/audio/hoerspiel/helena-von-elena-zieser-nach-traeumen-von-hella-vahl?id=11598226), 19.10.2019\n[Deutschlandfunk Kultur](https://www.hoerspielundfeature.de/and-the-winner-is-prix-europa-100.html), 19.11.2019\n[Moonah Community Radio](http://www.sistersakousmatica.org/moonah-community-radio/), Tasmanien, Dezember 2019\n[Deutschlandfunk Kultur](https://www.hoerspielundfeature.de/hoerspiel-prix-europa-2019-helena-100.html), 2.4.2020 \n[WDR](https://www1.wdr.de/radio/hoerspiel/index.html), 4.6.2020\n[RBB](https://www.rbb-online.de/rbbkultur/podcasts/hoerspiel-feed.html), 03.07.2020\nGrassi Museum für Angewante Kunst Leipzig, 5.8.2020\n[MDR](https://www.mdr.de/kultur/radio/alle-hoerspiele100.html), 2.11.2020\n\nAuszeichnungen:\n[Prix Europa](https://www.prixeuropa.eu/news/2019/10/12/winners-cjc56) 2019, \"Digital Audio Rising Star”-Kategorie\nnominiert bei [HEAR Now Audio Fiction and Arts Festival](https://www.natf.org/), Missouri, USA, 2020\n[Hörspielsommer Leipzig](https://hoerspielsommer-verein.de/wettbewerbe/archiv/2020-18-internationaler-hoerspielwettbewerb/), Bestes Stück, 2020\nZweiter Platz beim [International Radio Drama Festival](https://radiodramafestival.org.uk/) in Canterbury, UK, 2021","createdAt":"2023-02-22T11:26:39.774Z","updatedAt":"2023-10-07T12:22:38.926Z","publishedAt":"2023-02-22T11:29:54.483Z","locale":"de","videoURL":"https://vimeo.com/422107695","coverImage":{"data":{"id":2,"attributes":{"name":"helena.jpg","alternativeText":null,"caption":null,"width":1684,"height":2384,"formats":{"large":{"ext":".jpg","url":"/uploads/large_helena_e944e7f5f3.jpg","hash":"large_helena_e944e7f5f3","mime":"image/jpeg","name":"large_helena.jpg","path":null,"size":59.31,"width":706,"height":1000},"small":{"ext":".jpg","url":"/uploads/small_helena_e944e7f5f3.jpg","hash":"small_helena_e944e7f5f3","mime":"image/jpeg","name":"small_helena.jpg","path":null,"size":18.3,"width":353,"height":500},"medium":{"ext":".jpg","url":"/uploads/medium_helena_e944e7f5f3.jpg","hash":"medium_helena_e944e7f5f3","mime":"image/jpeg","name":"medium_helena.jpg","path":null,"size":35.68,"width":530,"height":750},"thumbnail":{"ext":".jpg","url":"/uploads/thumbnail_helena_e944e7f5f3.jpg","hash":"thumbnail_helena_e944e7f5f3","mime":"image/jpeg","name":"thumbnail_helena.jpg","path":null,"size":3.04,"width":110,"height":156}},"hash":"helena_e944e7f5f3","ext":".jpg","mime":"image/jpeg","size":208.52,"url":"/uploads/helena_e944e7f5f3.jpg","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-04-03T08:47:50.917Z","updatedAt":"2023-07-21T07:57:59.774Z"}}},"images":{"data":null},"category":{"data":{"id":1,"attributes":{"Name":"Hoerspiel","createdAt":"2023-02-22T10:59:06.652Z","updatedAt":"2023-02-22T11:29:50.897Z"}}},"audioFile":{"data":[{"id":32,"attributes":{"name":"helena.mp3","alternativeText":null,"caption":null,"width":null,"height":null,"formats":null,"hash":"helena_7636fa2fc2","ext":".mp3","mime":"audio/mpeg","size":82342.14,"url":"/uploads/helena_7636fa2fc2.mp3","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-14T11:05:39.272Z","updatedAt":"2023-06-14T11:13:10.649Z"}},{"id":31,"attributes":{"name":"helena.webm","alternativeText":null,"caption":null,"width":null,"height":null,"formats":null,"hash":"helena_b0da4059b0","ext":".webm","mime":"video/webm","size":33801.17,"url":"/uploads/helena_b0da4059b0.webm","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-14T11:04:59.884Z","updatedAt":"2023-06-14T11:14:58.690Z"}}]},"localizations":{"data":[{"id":33,"attributes":{"title":"Helena","description":"Friendship is a story that tells itself. \nWith a beginning and end, a space within a space that reinvents itself again and again and marks a beginning again at the end.\nHELENA is the story of a female friendship. One woman finds long forgotten dream recordings of the other and starts to remember: the love, their time shared, and how they lost each other. In between, the dreams (original sound recordings from 2013-2015) can be heard, offering a glimpse into an absurd, highly fragile and sensitive world, thats strangely connected to their friendship.\n\nElena Zieser realized HELENA as her master's thesis during her studies in \"Media Art\" at the Chair of Experimental Radio at Bauhaus University Weimar and was awarded with Prix Europa \"[Digital Audio Rising Star](https://www.uni-weimar.de/de/universitaet/aktuell/bauhausjournal-online/erfolge/titel/abschlussarbeit-von-medienkunst-alumna-elena-zieser-bei-prix-europa-ausgezeichnet/)\" awarded.\n\nPlease use Vimeo Video below to listen to the work with english subtitles.","year":"2019","duration":"57","format":"Stereo","credits":"- With: Hella Vahl, [Bettina Wiehler](http://www.bettinawiehler.de/Bettina_Wiehler/Bettina_Wiehler.html)\n- Text, Direction, Editing and Mixing: Elena Zieser\n- Music and Composition: [Niklas Kammermeier](https://www.niklaskammermeier.de/)\n- Vocals: Hella Vahl, Bettina Wiehler, Elke Schröder, Rosemarie Kaiser and the Gostenhofer singing club.\n\nProduced by [Experimental Radio](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/) at Bauhaus University Weimar, 2019.\n\nBroadcast:\nPA58, Berlin, May 06, 2019.\n[Ars Electronica](https://ars.electronica.art/outofthebox/en/experimentalradioshowcase/), 2019\n[Akademie der Künste](https://www.adk.de/index.htm) Berlin, 2019\n[SRF2](https://www.srf.ch/audio/hoerspiel/helena-von-elena-zieser-nach-traeumen-von-hella-vahl?id=11598226), 2019\n[Deutschlandfunk Kultur](https://www.hoerspielundfeature.de/and-the-winner-is-prix-europa-100.html), 2019\n[Moonah Community Radio](http://www.sistersakousmatica.org/moonah-community-radio/), Tasmania, 2019\n[Deutschlandfunk Kultur](https://www.hoerspielundfeature.de/hoerspiel-prix-europa-2019-helena-100.html), 2020 \nGrassi Museum für Angewante Kunst Leipzig, 2020\n[WDR](https://www1.wdr.de/radio/hoerspiel/index.html), 2020\n[RBB](https://www.rbb-online.de/rbbkultur/podcasts/hoerspiel-feed.html), 2020\n[MDR](https://www.mdr.de/kultur/radio/alle-hoerspiele100.html), 2020\n\nAwards:\n[Prix Europa](https://www.prixeuropa.eu/news/2019/10/12/winners-cjc56) 2019, \"Digital Audio Rising Star\" Category\nnominated at [HEAR Now Audio Fiction and Arts Festival](https://www.natf.org/), Missouri, USA, 2020\n[Hörspielsommer Leipzig](https://hoerspielsommer-verein.de/wettbewerbe/archiv/2020-18-internationaler-hoerspielwettbewerb/), Best Work, 2020\n2nd place at [International Radio Drama Festival](https://radiodramafestival.org.uk/) in Canterbury, UK, 2021","createdAt":"2023-07-21T08:11:51.261Z","updatedAt":"2023-10-07T12:22:38.808Z","publishedAt":"2023-07-21T08:12:14.239Z","locale":"en","videoURL":null}}]}}},{"id":9,"attributes":{"title":"Schnittstelle MJ","description":"Be a dancer! Be a singer! Be a star! Be MJ!\nCome to Spreepark Berlin and dance the electrical Moonwalk.\nIt's your experience!\n\nMichael Jackson ist eine Ikone, ein Held, ein Pop-Denkmal – und plötzlich: ein Cyborg. Der letzte Körper der Popikone ist verstorben. Die Maschine braucht einen neuen Wirt. Ihr Opfer wird der Rationalist Biermösl, ein Berliner Programmierer, der seinem Schicksal nicht entgehen kann. Auch seine Freundin Angelika verfällt der Maschine, was schreckliche Konsequenzen haben wird. Anlässlich der Ausstellungseröffnung von “Electrical Magical Moonwalk” kann der glückliche Gewinner in die bleiche Haut des Pop-Gottes schlüpfen, oder doch andersherum?\n\nJulia Vorkefeld und Elena Zieser haben ein Grusel-Science-Fiction-Drama produziert und es ins Berlin der Gegenwart platziert. Ein düsteres Hörspiel über dystopische Zukunftsphantasien, künstliche Intelligenz und das Zwischenmenschliche.\n\nDas Stück wurde 2013 für \"Beste Regie\" beim 11. Leipziger Hörspielsommer ausgezeichnet:\n\n„Julia Vorkefeld und Elena Zieser ist mit dem Hörspiel „Schnittstelle MJ – Who is bad“ ein Stück gelungen, das sowohl durch seine Herangehensweise als auch durch seine virtuose und sensible Inszenierung besticht. Durch die hervorragende Montage, die eher einer musikalisch-rhythmischen und assoziativen als einer rein narrativen Struktur folgt, wird eine Schnelligkeit und Vielschichtigkeit des Erzählens erzeugt, die den Zuhörer vom ersten Moment an in ihren Bann zieht. […] In der originellen und eigenständigen Stilistik der Sounds und deren Arrangement spiegelt sich die inhaltliche Auseinandersetzung mit Künstlichkeit, Verführung und Scheitern spürbar wieder. […] Hervorzuheben ist auch die Art, wie das Stück durch die Inszenierung und feinsinnige Verknüpfung von Originalton, Sprache und musikalischem Klang eine raffinierte Verbindung aus realen und abstrakten Räumen entfaltet und sich dadurch eine beeindruckend komplexe Vielschichtigkeit und Gleichzeitigkeit von räumlich konkreter wie abstrakter Darstellung entwickelt.“","year":"2012","duration":"50","format":"Stereo","credits":"- Mit: Thomas Stang, Gabriele Quast, Jana Klinge, Caroline Dietrich, Johannes Schmidt, Petra Hartung, Linda Pöppel, Philipp Oehme, Martin Becker, Maria Antonia Schmidt, Joanna Tschech, Anton Schünemann, Hella Vahl, Christian Hellmann, Sebastian van Vugt und Stefanie Heym.\n- Autorin: [Julia Vorkefeld](https://www.linkedin.com/in/jvorkefeld/?originalSubdomain=de)\n- Musik und Komposition: Kevin Roediger und Ludwig Meckel\n- Technische Realisation: Maximilian Netter\n- Technische Assistenz: Adrian Wichmann und Ben Vossler\n- Regie, Schnitt und Mix: Elena Zieser\n- Sounddesign, Schnitt und Covergestaltung: Julia Vorkefeld\n\nEine Produktion des Lehrstuhl für Multimediales Erzählens an der Bauhaus-Universität Weimar, 2011/12.\n\nAusstrahlungen:\n[Detektor.FM](https://detektor.fm/kultur/freistunde-schnittstelle-mj-von-julia-vorkefeld-und-elena-zieser), 10.+12.08.2013\n[Atelier Mondial](https://ateliermondial.com/), Basel, 12.10.2018\n\nAuszeichnungen:\n\"Beste Regie\" beim 11. Leipziger Hörspielsommer 2013","createdAt":"2023-06-13T14:39:06.021Z","updatedAt":"2023-11-13T14:54:17.327Z","publishedAt":"2023-06-13T14:39:08.088Z","locale":"de","videoURL":null,"coverImage":{"data":{"id":19,"attributes":{"name":"schnittstelle.jpg","alternativeText":null,"caption":"Zeichnungen und Cover: Julia 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MJ","description":"Be a dancer! Be a singer! Be a star! Be MJ!\nCome to Spreepark Berlin and dance the electrical Moonwalk.\nIt's your experience!\n\nMichael Jackson is icon, hero, pop monument - and suddenly: a cyborg. \nHis last body of choice died. The machine needs a new host.\nIts new victim: rationalist Biermösl, a Berlin-based programmer who cannot escape his fate. His girlfriend Angelika also falls for the machine, which has terrible consequences. On the occasion of the exhibition opening of \"Electrical Magical Moonwalk\", the lucky winner can slip into the pale skin of the pop god, or is it the other way around?\n\nJulia Vorkefeld and Elena Zieser have produced a creepy science fiction drama and placed it in present-day Berlin. A dark radio play about dystopian future fantasies, artificial intelligence and the interpersonal.\n\nThe play won the award for \"Best Direction\" at the 11th Leipzig Hörspielsommer in 2013:\n\n\"Julia Vorkefeld and Elena Zieser have succeeded with the radio play \"Schnittstelle MJ - Who is bad\" in creating a piece that captivates both through its approach and through its virtuoso and sensitive staging. The excellent montage, which follows a musical-rhythmic and associative rather than a purely narrative structure, creates a speed and complexity of narration that captivates the listener from the first moment. [...] In the original and independent stylistics of the sounds and their arrangement, the content-related examination of artificiality, seduction and failure is noticeably reflected. [...] Also to be emphasized is the way the piece unfolds a sophisticated connection of real and abstract spaces through the staging and subtle linking of original sound, language and musical sound, thus developing an impressively complex multi-layeredness and simultaneity of spatially concrete as well as abstract representation.\"","year":"2012","duration":"50","format":"Stereo","credits":"- With: Thomas Stang, Gabriele Quast, Jana Klinge, Caroline Dietrich, Johannes Schmidt, Petra Hartung, Linda Pöppel, Philipp Oehme, Martin Becker, Maria Antonia Schmidt, Joanna Tschech, Anton Schünemann, Hella Vahl, Christian Hellmann, Sebastian van Vugt und Stefanie Heym.\n- Author: [Julia Vorkefeld](https://www.linkedin.com/in/jvorkefeld/?originalSubdomain=de)\n- Music and Composition: Kevin Roediger und Ludwig Meckel\n- Technical Setup and Recordings: Maximilian Netter\n- Technical Assistance: Adrian Wichmann und Ben Vossler\n- Direction, Editing and Mix: Elena Zieser\n- Sound Design, Editing and Cover Design: Julia Vorkefeld\n\nProduced by Lehrstuhl für Multimediales Erzählens at Bauhaus University Weimar, 2011/12.\n\n- Broadcasts:\n[Detektor.FM](https://detektor.fm/kultur/freistunde-schnittstelle-mj-von-julia-vorkefeld-und-elena-zieser), 2013\n[Atelier Mondial](https://ateliermondial.com/), Basel, 2018\n\n- Awards:\n\"Best Direction\" at 11th Leipziger Hörspielsommer 2013","createdAt":"2023-06-13T14:39:28.829Z","updatedAt":"2023-11-13T14:54:17.419Z","publishedAt":"2023-06-13T15:53:48.180Z","locale":"en","videoURL":null}}]}}},{"id":44,"attributes":{"title":"Extra Unruhig - über progressive Dissonanzen","description":"MITTEN IM ANTHROPOZÄN IST ER AM RATLOSESTEN: DER MENSCH.\n\nWas zeichnet eine Gesellschaft aus und wo verlaufen ihre inneren Abstufungen, äussere und innere, implizite und explizite Grenzen. In welche gesellschaftsähnlichen Untergruppen teilt sie sich auf, und wie stehen diese zueinander?\nKann die Welt vom Individuum überhaupt noch begriffen werden? Gibt es in einer von spezialisierten Akteuren bevölkerten Welt noch Platz für universelle Erkenntnis? Welche Öffentlichkeit ist noch denkbar, inwiefern bildet sie noch Grundlage für gesellschaftsübergreifende Kommunikation? Wer hat wem, was zu sagen, mit welcher Begründung und mit welcher Ausstattung? Welche Stimme, welches Lied erreicht wen, und hängt wen ab?\nUnter der Leitung von Elena Zieser vom experimentellen Radio der Bauhaus-Universität Weimar und betreut von Schorsch Kamerun, Theaterregisseur, Hörspielautor und Musiker (Die Goldenen Zitronen) haben sich die Mitglieder der Projektklasse auf vielfältige Weise dieser Frage nach zeitgenössischer Partizipation angenähert.\nDie Ausstellung \"Extra Unruhig\" will überprüfen, wie es um gewünschte oder ungewünschte Interventionen steht und welche Strategien greifen könnten in gegenwärtigen Mitsprachebalancen. Entstanden sind Positionen, die sich künstlerisch den Grundfragen von Beteiligung, Empathie und Kommunikation nähern - auch als Antwort auf ausgrenzende Vereinfachungen in aktuell immer fragiler werdenden Mitbestimmungswirksamkeiten bei zunehmender Gesellschaftsspaltung.\nIn den Arbeiten werden Orte und Ereignisse freiwilliger, unfreiwilliger und verhinderter Partizipation, erfolgreicher und erfolgloser Kommunikation beleuchtet. Graffitis als einseitige, anonyme Kommunikationsmittel und gestalterische Teilhabe, Persönlichkeitstests als Zuschreibung und Zuordnung von aussen, Tonarchive als Sammlungen ungefilterter Positionen, Telefone als verknüpfende, partizipative Elemente künstlerisch untersucht. Kafkaeske Szenarien einer sich selbst erhaltenden und begründenden Bürokratie machen selbstbestimmtes Agieren unmöglich, ein, algorithmischen Prinzipien unterworfenes Café wird zum Unschärferaum zwischen Realität und virtueller Spiegelung, in dem das Menschliche auffällig wird durch seine Abwesenheit. Richard Wagners \"Meistersinger von Nürnberg\" werden der Fibonacci-Sequenz unterworfen und das Missverständnis wird phänomenologisch zum kreativen Akt erhoben.\nDer Ausstellungsort verhält sich in besonderer Weise zu diesen Prozessen, als Ort, in dem gesellschaftliches Aussperren und isolierendes Einsperren buchstäblich Partizipation unmöglich machen, und Menschen, gebrandmarkt als Aussortierte und nicht in die Gesellschaft passende Akteure auf sich zurückgeworfen sind. Gleichzeitig als Ort, der architektonisch der beschriebenen Partikularisierung menschlicher Erfahrung entspricht. (Auszug aus Booklet zur Ausstellung von Jesse Stegmann)\n\nNeben der 2-tägigen Ausstellung in der ehemaligen JVA in Weimar, präsentierte die Gruppe EXTRA UNRUHIG die partizipative Performance NERVÖS zum Kunstfest 2022 auf dem Theaterplatz in Weimar.","year":"2022","duration":null,"format":null,"credits":"Mit: Susann Altmann, Elijah Aran, Valentin Dudeck, Moritz Hanfgarn, Sofie Heinz, [Diana Karle](https://diana-karle.org/), Severin Schenkel, Jesse Stegmann, [Emil Torp](https://soundcloud.com/emil-torp), FreiRaum Kollektiv Weimar e.V., [Raumstation Kollektiv](https://raumstation.org/)\nKünstlerische Leitung und Kuration: Elena Zieser, [Schorsch Kamerun](https://www.youtube.com/watch?v=4iqyQ5EFoJU)\nGestaltung: Pia Wolter\nFotos Kunstfest: [Candy Welz](https://www.instagram.com/cndwlz/)\n\nDie Interventionen sind im gleichnamigen Projektmodul \"Extra Unruhig\" am Lehrstuhl für [Experimentelles Radio](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/) der Bauhaus-Universität Weimar entstanden. 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Unruhig - über progressive Dissonanzen","description":"IN THE MIDST OF THE ANTHROPOCENE, AT HIS MOST PERPLEXED, IS MAN.\n\nHowever, there are strategies: participation, inclusion, exclusion, exclusivity is in an unsteady state of renegotiation. A return of autocratic tendencies is at odds with increasingly resilient possibilities of extensive participation. Overall, this plurality and fracturing of approaches, perspectives, and goals holds new potentials, but above all new questions: What characterizes a society and where do its internal gradations, external and internal, implicit and explicit boundaries run? Into which society-like subgroups does it divide, and how do these relate to each other? Can the world be comprehended by the individual at all? Is there still room for universal cognition in a world populated by specialized actors? What kind of public sphere is still conceivable, to what extent does it still form the basis for cross-societal communication? Who has what to say and to whom, with what justification and with what equipment? Which voice, which song reaches whom, and on whom does it leave in the dark?\nUnder the direction of Elena Zieser from the experimental radio faculty of the Bauhaus University Weimar and supervised by Schorsch Kamerun, theater director, radio play author and musician (Die Goldenen Zitronen), the members of the project class approached this question of contemporary participation in a variety of ways.\nThe exhibition \"Extra Unruhig\" (Extra-Restless) wants to examine the range between desired and undesired interventions and ask which strategies could be effective in current participatory balances. Positions have been created that artistically approach the basic questions of participation, empathy and communication - also as a response to exclusionary populist reductions in currently increasingly fragile co-determinational dynamics with increasing social division. In the works, places and events of voluntary, involuntary and inhibited participation, successful and unsuccessful communication are illuminated. Graffiti as unilateral, anonymous means of communication and productive participation, personality tests as attribution and assertion from the outside, sound archives as collections of unfiltered positions, telephones as linking, participatory elements are artistically examined. Kafkaesque scenarios of a self-perpetuating and self- sustaining bureaucracy make self-determined action impossible, a café subjected to algorithmic principles becomes a blurred space between reality and virtual reflection, in which the human becomes conspicuous by its absence. Richard Wagner‘s \"Meistersinger von Nürnberg\" are subjected to the Fibonacci sequence and the event of misunderstanding is phenomenologically elevated to a creative act. The exhibition site relates to these processes in a special way, as a place in which social exclusion and isolating confinement literally make participation impossible, and people, branded as outcasts who do, by definition, not fit into society, confronted with being left with themselves. At the same time, it does so as a place that architecturally corresponds to the described particularization of human experience.\n(Text from booklet by Jesse Stegmann)\n\nIn addition to the 2-day exhibition at the former correctional facility in Weimar, the group EXTRA UNRUHIG presented a participatory performance NERVÖS for Kunstfest Weimar 2022 on Theaterplatz.","year":"2022","duration":null,"format":null,"credits":"With: Susann Altmann, Elijah Aran, Valentin Dudeck, Moritz Hanfgarn, Sofie Heinz, [Diana Karle](https://diana-karle.org/), Severin Schenkel, Jesse Stegmann, [Emil Torp](https://soundcloud.com/emil-torp), FreiRaum Kollektiv Weimar e.V., [Raumstation Kollektiv](https://raumstation.org/)\nArtistic direction and curation: Elena Zieser, [Schorsch Kamerun](https://www.youtube.com/watch?v=4iqyQ5EFoJU)\nDesign: Pia Wolter\nPhotography Kunstfest: [Candy Welz](https://www.instagram.com/cndwlz/)\n\nThe interventions were created at the Department of [Experimentelles Radio](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/) at Bauhaus University Weimar. NERVÖS is a production of the group EXTRA UNRUHIG, 2022.\n\nWith the kind financial support of the Kultur & Sport Förderung des StudierendenKonvent der Bauhaus-Universität Weimar and the Studierendenwerk Thüringen.\n\nExhibition:\nFormer correctional facility in Weimar, March 2022.\n[Kunstfest](https://www.kunstfest-weimar.de/), 2022, Weimar","createdAt":"2023-10-07T15:23:58.850Z","updatedAt":"2024-01-08T18:23:34.248Z","publishedAt":"2023-10-07T15:24:02.851Z","locale":"en","videoURL":null}}]}}},{"id":27,"attributes":{"title":"Patentöchter – Im Schatten der RAF","description":"Corinna Ponto und Julia Albrecht, Töchter zweier befreundeter Familien. Sie verbringen gemeinsam ihre Kindheit. Dann der 30. Juli 1977: Jürgen Ponto, Corinnas Vater, bekommt Besuch von Susanne Albrecht, der Tochter seines Jugendfreundes Hans Christian Albrecht und Julias Schwester. Sie bringt Blumen mit. Jürgen Ponto geht eine Vase holen. Wenige Minuten später ist er tot. 30 Jahre nach der Tat, die beider Leben geprägt hat, bricht Julia Albrecht das Schweigen und nimmt Kontakt zu Corinna Ponto auf. Gemeinsam beginnen sie einen Dialog über Schuld und Vergebung. Corinna Ponto und Julia Albrecht werfen einen neuen Blick auf die – bis heute hauptsächlich von Außenstehenden gedeutete – Geschichte der RAF, die Rolle der Täter und die Wunden, die ihre Taten geschlagen haben. Im Mittelpunkt stehen die Fragen nach Schuld und Täterschaft, nach den Möglichkeiten von Aufarbeitung und Versöhnung. Zwei Schauspielerinnen, acht Lautsprecher, unzählige Stimmen. Nach 30 Jahren, in denen sich das Schweigen bis zur Unerträglichkeit verdichtet hat, wollen sich die Stimmen der beiden Gehör verschaffen, sickern durch Gedankenritzen, breiten sich immer mehr aus, explodieren und schießen in die Köpfe der Zuschauer – als wollten sie 30 Jahre Schweigen in einem Moment ungeschehen machen. Die Zuschauer sind umstellt von Lautsprechern: im Foyer, im Untergeschoss, hinter Türen. Aus ihnen sickern Stimmen und Geräusche und reißen sie in den Strudel der Ereignisse. Ziel ist es, die komplexen Emotionen und Gedanken der Figuren nicht nur zu verstehen, sondern wirklich fühlbar werden zu lassen.\nAnhand dieses konkreten Stücks bundesdeutscher Geschichte machen Beyer/Kirchmann/Mertens die Fragwürdigkeit und Vergeblichkeit jeglichen Terrors, die Sinnlosigkeit aller Gewalt erfahrbar und beschäftigen sich damit, was in den Nachrichten nicht steht: Was geschieht mit denen, die zurückbleiben?","year":"2020","duration":"60","format":"8-Kanal","credits":"- Mit: Rebecca Kirchmann, Christine Mertens\n- Regie: [Gerd Beyer](https://www.gerdbeyer.com/)\n- Soundart und Mischung: Elena Zieser\n- Regieassistenz: Carina Groth\n- Ausstattung:Angela Loewen\n- Grafik: [grafikbuero x](https://www.xgrafik.de/)\n- Rechte: Rowohlt Theater Verlag, Reinbeck\n- Premiere:06.10.2020 in Nürnberg\n\nEine Koproduktion mit der [Tafelhalle](https://www.kunstkulturquartier.de/tafelhalle), gefördert durch Zuschüsse der Stadt Nürnberg und der Kunst- und Kulturstiftung der Nürnberger Nachrichten.","createdAt":"2023-06-24T08:14:23.643Z","updatedAt":"2024-01-08T18:33:41.014Z","publishedAt":"2023-06-24T08:14:25.118Z","locale":"de","videoURL":"https://vimeo.com/395475563","coverImage":{"data":{"id":60,"attributes":{"name":"patentoechter.jpg","alternativeText":null,"caption":null,"width":963,"height":1355,"formats":{"large":{"ext":".jpg","url":"/uploads/large_patentoechter_2ee5d23324.jpg","hash":"large_patentoechter_2ee5d23324","mime":"image/jpeg","name":"large_patentoechter.jpg","path":null,"size":93.86,"width":711,"height":1000},"small":{"ext":".jpg","url":"/uploads/small_patentoechter_2ee5d23324.jpg","hash":"small_patentoechter_2ee5d23324","mime":"image/jpeg","name":"small_patentoechter.jpg","path":null,"size":32.5,"width":355,"height":500},"medium":{"ext":".jpg","url":"/uploads/medium_patentoechter_2ee5d23324.jpg","hash":"medium_patentoechter_2ee5d23324","mime":"image/jpeg","name":"medium_patentoechter.jpg","path":null,"size":60.82,"width":533,"height":750},"thumbnail":{"ext":".jpg","url":"/uploads/thumbnail_patentoechter_2ee5d23324.jpg","hash":"thumbnail_patentoechter_2ee5d23324","mime":"image/jpeg","name":"thumbnail_patentoechter.jpg","path":null,"size":6.02,"width":111,"height":156}},"hash":"patentoechter_2ee5d23324","ext":".jpg","mime":"image/jpeg","size":117,"url":"/uploads/patentoechter_2ee5d23324.jpg","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-24T08:13:29.889Z","updatedAt":"2023-06-24T08:13:29.889Z"}}},"images":{"data":null},"category":{"data":{"id":7,"attributes":{"Name":"Performance","createdAt":"2023-03-31T06:36:05.699Z","updatedAt":"2023-03-31T06:36:12.261Z"}}},"audioFile":{"data":null},"localizations":{"data":[{"id":28,"attributes":{"title":"Patentöchter – Im Schatten der RAF","description":"Corinna Ponto and Julia Albrecht, daughters of two families who are friends. They spend their childhood together. July 30, 1977: Jürgen Ponto, Corinna's father, receives a visit from Susanne Albrecht, the daughter of his childhood friend Hans Christian Albrecht and Julia's sister. She brings flowers. Jürgen Ponto goes to get a vase. A few minutes later he is dead. 30 years after the crime that shaped both of their lives, Julia Albrecht breaks the silence and gets in touch with Corinna Ponto. Together they begin a dialogue about guilt and forgiveness. Corinna Ponto and Julia Albrecht take a new look at the history of the RAF (Red Nation Army) – which has mainly been interpreted by outsiders to this day – the role of the perpetrators and the wounds their actions have inflicted. The focus is on questions of guilt and perpetration, of the possibilities of coming to terms with and reconciliation. Two actresses, eight loudspeakers, countless voices. After 30 years, in which the silence has become unbearable, the voices want to be heard, seep through cracks in the mind, spread more and more, explode and shoot into the heads of the audience - as if they wanted 30 years of silence undone for a moment. The spectators are surrounded by loudspeakers: in the foyer, in the basement, behind doors. Voices and noises seep out of them and pull them into the maelstrom of events. The aim is not only to understand the complex emotions and thoughts of the characters, but to really make them tangible.\nBased on this part of German history, Beyer/Kirchmann/Mertens make the dubiousness and futility of all terror, the senselessness of all violence tangible and deal with what is not in the news: What happens to those who stay behind?","year":"2020","duration":"60","format":"8-Channel","credits":"- With: Rebecca Kirchmann, Christine Mertens\n- Direction: [Gerd Beyer](https://www.gerdbeyer.com/)\n- Sound Art and Mix: Elena Zieser\n- Assistant director: Carina Groth\n- Stage Design: Angela Loewen\n- Design: [grafikbuero x](https://www.xgrafik.de/)\n- Rights: Rowohlt Theater Verlag, Reinbeck\n\nPremiere: October 6th, 2020 in Nuremberg\n\nCo-Production with [Tafelhalle](https://www.kunstkulturquartier.de/tafelhalle), funded by grants from the City of Nuremberg and the Art and Culture Foundation of Nürnberger Nachrichten.","createdAt":"2023-06-24T08:16:14.689Z","updatedAt":"2024-01-08T18:33:41.098Z","publishedAt":"2023-06-24T08:23:04.685Z","locale":"en","videoURL":"https://vimeo.com/395475563"}}]}}},{"id":42,"attributes":{"title":"Gritta vom Dach","description":"GRITTA VOM DACH nimmt uns mit auf eine Führung über das Gelände des Kachelbaus, der früher einmal Teil des Nürnberger Schlachthofs war. Annegret, ehemalige Tiernahrungsverkäuferin, hat diese Vergangenheit selbst erlebt: Sie erzählt vom Gestank und vom Lärm, von Maschinenhallen, Kuttlereien und Abwasserkanälen. Doch während das Publikum noch ahnungslos die Kacheln zählt, ist etwas von weit weg auf dem Weg zu ihnen und stellt nicht nur Annegrets Führung auf den Kopf. Gritta, eine außerirdische Forscherin, landet mit ihrem Raumschiff und einer Mission auf dem Dach des Kachelbaus und braucht unsere Hilfe. \n\nAnlässlich des 20jährigen Kachelbau-Jubiläums gestaltet das Kollektiv „Kapfwiesers Raumflotte“ eine theatrale Medien-Installation für Menschen ab 8 Jahren. \n\nDurch die künstlerische Aneignung und Auseinandersetzung mit dem Archivmaterial entsteht eine neue, fantastische und philosophische Erzählung für Kinder und Erwachsene. Sie startet rein akustisch mit einer Audio-Führung über das Gelände und mündet im medial bespielten „Raumschiff“ von Gritta. Dabei werden durch die außerirdischen Augen unserer Hauptfigur spielerisch ‚große‘ Fragen gestellt: Was bedeutet Vergangenheit? Warum erzählen wir uns Geschichten? Welche Geschichten will man erinnern, welche sollte man vergessen? Darf man Tiere essen? Kann man Hunger auf Theater haben? \n","year":"2021","duration":"50","format":"Stereo, Audiowalk","credits":"Idee, Konzept und Realisation: [Niklas Kammermeier](https://www.niklaskammermeier.de/), [Maria Pfeiffer](https://www.mariapfeiffer.de/), [Bettina Wiehler](http://www.bettinawiehler.de/Bettina_Wiehler/Bettina_Wiehler.html) & Elena Zieser\nDramaturgische Beratung: Sabine Zieser\nTechnische Unterstützung: Gabriela Wieczorek, Felix Boier\nArchiv und Öffentlichkeitsarbeit: Cathrin Blöss\nBildmaterial: [Rudi Ott](https://www.rudi-ott.de/rudi_ott_foto/Willkommen.html), [Pirko Julia Schröder](https://pirkojuliaschroeder.com/), [Stadtarchiv Nürnberg](https://www.nuernberg.de/internet/stadtarchiv/)\nVerwendete Musik: [Bettina Ostermeier ](https://www.bettina-ostermeier.de/)\nTheaterpädagogik: Meike Kremer, Lisa Stützer \nPremiere: 13.06.2021\n\nEine Produktion von [Kapfwiesers Raumflotte](https://loci-kollektiv.de/) und [Theater Mummpitz](https://www.theater-mummpitz.de/stuecke/gritta-vom-dach-8/), 2021.\n\nGefördert vom [Fonds Darstellende Künste](https://www.fonds-daku.de/) aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien.\n\nAufführung:\n[Panoptikum Festival](https://festival-panoptikum.de/), 2022\nHelga Szenographie, 2021","createdAt":"2023-10-07T13:50:23.917Z","updatedAt":"2024-07-12T09:51:05.721Z","publishedAt":"2023-10-07T15:37:01.858Z","locale":"de","videoURL":null,"coverImage":{"data":{"id":113,"attributes":{"name":"Gritta_Plakat Maria Pfeiffer.jpg","alternativeText":null,"caption":null,"width":1280,"height":1803,"formats":{"large":{"ext":".jpg","url":"/uploads/large_Gritta_Plakat_Maria_Pfeiffer_ed8ccffd56.jpg","hash":"large_Gritta_Plakat_Maria_Pfeiffer_ed8ccffd56","mime":"image/jpeg","name":"large_Gritta_Plakat Maria 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An empty space. Towers. The river. You just have to walk a little straight ahead. Cobblestones. The old house... \"\n\nWe visited children from four different districts in Nuremberg and collected their stories and thoughts about happy places, in their city, in their neighborhood, in their imagination. The children's stories have been turned into an audio play that tells of places that leave open whether they really exist or whether you can visit them. But they have one thing in common: The children are happy there and you would certainly be too. The project is conceived as an audio installation. The listeners sit around a large table and listen to the children's stories and voices from 4 loudspeakers distributed around the table. In a second part of the project, Sabine Zieser, Andrea Maria Erl and Hannah Panusch worked with the children on the same topic. Out of the workshops, handicrafts and drawings were created, which can be revealed at the end of the piece. A listening room is created in which the children's city stories can be experienced.","year":"2020","duration":"23","format":"Mono, 4-Channel","credits":"- With: Kinder der Reutersbrunnen Schule, der Holzgarten Schule, des Sonderpädagogischen Förderzentrums Langwasser und der Michael-Ende-Schule in Nürnberg.\n- Editorial and Concept: Andrea Maria Erl, Hannah Panusch und Sabine Zieser\n- Recording, Direction and Editing: Elena Zieser\n- Photography: Hannah Panusch\n\nProduced by [Theater Mummpitz](https://www.theater-mummpitz.de/) in collaboration with Bewerbungsbüro Kulturhauptstadt Europa 2025, 2020\n\nGlückliche Orte was performed during [Panoptikum Festival](https://festival-panoptikum.de/) 2020.","createdAt":"2023-06-13T16:02:30.789Z","updatedAt":"2024-01-08T18:11:52.639Z","publishedAt":"2023-06-13T16:04:13.431Z","locale":"en","videoURL":null}}]}}},{"id":23,"attributes":{"title":"Wiederaufnahme","description":"Die Interaktion des Dirigenten mit dem Orchester. Die menschliche Stimme als Instrument. Eine Studie über Hermann Scherchen in Form einer Verbindung zweier Organe. Er arbeitet mit absolutem Gehör und Perfektionismus, mit einer Leidenschaft für die Musik und ihre Spieler:innen – und einer Fantasie, die alles größer werden lässt. Diese Installation ist der Versuch, eine Idee von Scherchen selbst zu vertonen und gleichzeitig eine Momentaufnahme von ihm zu schaffen.\nAusgangsmaterial war ein Mittschnitt von einer Probe Scherchens mit den Stuttgarter Smyphonikern zum Stück „Der Marsch von Wellington“ von Ludwig van Beethoven, vom Süddeutschen Rundfunk RSO am 07.Oktober 1962. Das Audiomaterial stammt aus dem Hermann Scherchen Archiv der Akademie der Künste und es wurde für diese Arbeit freundlicherweise bereitgestellt.\nIn der Installation steht der Dirigent als ein Lautsprecher seinem Orchester gegenüber. Das Orchester besteht aus einer weiblichen Stimme, die die einzelnen Instrumente imitiert. Die beiden entwickelt einen Dialog, der zeitlich und räumlich unmöglich erscheint. Im Sinne von Hermann Scherchens Vision, einen Raum komplett mit Klang zu füllen (Nullstrahler), versucht diese Arbeit den Klang von Scherchen selbst im Raum zu verteilen.\n\nZur Veranschaulichung ist bei diesem Projekt ein Video beigefügt, das Original verliert in der Stereovariante leider seine Wirkung.\n„Die Wiederaufnahme“ entstand im Rahmen des Stipendiums der Jungen Akademie, an der Akademie der Künste Berlin 2016 und wurde dort präsentiert. Des weiteren war die Installation Teil des „Kontakte‘17“ Festivals, ein elektroakustisches Musikfestival unter der Leitung von Dr. Gregorio Karman Garcias. \n\nEin Remake des Stück entstand zur Oslo-Night auf dem Dreispitzgelände in Basel, zusammen mit Kaspar Ludwig wurden die Lautsprecher mit Tonskulpturen verbunden und erzeugten so einen ganz neuartigen Klang.\n","year":"2017","duration":"11 ","format":"Mono, 8-Kanal, Loop","credits":"- Stimme und Gesang: Johanna Bittner\n- Transposition: Manuel Bittdorf\n- Idee, Regie, Schnitt und Mixing: Elena Zieser\n- Fotografie und Video: Nathan Johnson\n- Copyright Fotos Oslo Night: Spehr\n\nMit freundlicher Unterstützung des Hermann-Scherchen Archivs, der Akademie der Künste, Berlin und Jürgen Wittneben.\nMit besonderen Dank an [Paul Plamper](https://www.hoerspielpark.de/website/person/paul-plamper) und Henning Lindow.\n\nAusstellungen:\nGruppenaustellung der [Jungen Akademie](https://www.adk.de/de/akademie/junge-akademie/index.htm) an der [Akademie der Künste](https://www.adk.de/) in Berlin, 2017 \n[Kontakte Festival](https://www.adk.de/de/projekte/2017/kontakte17/Installationen/29_Elena_Zieser_Wiederaufnahme.htm), 2017\nOslo Night, Basel, 2018","createdAt":"2023-06-22T06:21:50.885Z","updatedAt":"2024-07-12T09:56:45.703Z","publishedAt":"2023-06-22T06:25:11.835Z","locale":"de","videoURL":"https://www.youtube.com/watch?v=60RR53kShz4","coverImage":{"data":{"id":51,"attributes":{"name":"wiederaufnahme1.jpg","alternativeText":null,"caption":null,"width":2304,"height":1536,"formats":{"large":{"ext":".jpg","url":"/uploads/large_wiederaufnahme1_74ae591fa1.jpg","hash":"large_wiederaufnahme1_74ae591fa1","mime":"image/jpeg","name":"large_wiederaufnahme1.jpg","path":null,"size":56.46,"width":1000,"height":667},"small":{"ext":".jpg","url":"/uploads/small_wiederaufnahme1_74ae591fa1.jpg","hash":"small_wiederaufnahme1_74ae591fa1","mime":"image/jpeg","name":"small_wiederaufnahme1.jpg","path":null,"size":18.31,"width":500,"height":333},"medium":{"ext":".jpg","url":"/uploads/medium_wiederaufnahme1_74ae591fa1.jpg","hash":"medium_wiederaufnahme1_74ae591fa1","mime":"image/jpeg","name":"medium_wiederaufnahme1.jpg","path":null,"size":34.7,"width":750,"height":500},"thumbnail":{"ext":".jpg","url":"/uploads/thumbnail_wiederaufnahme1_74ae591fa1.jpg","hash":"thumbnail_wiederaufnahme1_74ae591fa1","mime":"image/jpeg","name":"thumbnail_wiederaufnahme1.jpg","path":null,"size":5.78,"width":234,"height":156}},"hash":"wiederaufnahme1_74ae591fa1","ext":".jpg","mime":"image/jpeg","size":243.68,"url":"/uploads/wiederaufnahme1_74ae591fa1.jpg","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-22T05:20:54.890Z","updatedAt":"2023-06-22T05:20:54.890Z"}}},"images":{"data":[{"id":52,"attributes":{"name":"wiederaufnahme2.jpg","alternativeText":null,"caption":null,"width":4592,"height":3064,"formats":{"large":{"ext":".jpg","url":"/uploads/large_wiederaufnahme2_adcc1110db.jpg","hash":"large_wiederaufnahme2_adcc1110db","mime":"image/jpeg","name":"large_wiederaufnahme2.jpg","path":null,"size":56.28,"width":1000,"height":667},"small":{"ext":".jpg","url":"/uploads/small_wiederaufnahme2_adcc1110db.jpg","hash":"small_wiederaufnahme2_adcc1110db","mime":"image/jpeg","name":"small_wiederaufnahme2.jpg","path":null,"size":18.68,"width":500,"height":334},"medium":{"ext":".jpg","url":"/uploads/medium_wiederaufnahme2_adcc1110db.jpg","hash":"medium_wiederaufnahme2_adcc1110db","mime":"image/jpeg","name":"medium_wiederaufnahme2.jpg","path":null,"size":35.78,"width":750,"height":500},"thumbnail":{"ext":".jpg","url":"/uploads/thumbnail_wiederaufnahme2_adcc1110db.jpg","hash":"thumbnail_wiederaufnahme2_adcc1110db","mime":"image/jpeg","name":"thumbnail_wiederaufnahme2.jpg","path":null,"size":5.91,"width":234,"height":156}},"hash":"wiederaufnahme2_adcc1110db","ext":".jpg","mime":"image/jpeg","size":779.14,"url":"/uploads/wiederaufnahme2_adcc1110db.jpg","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-22T05:21:20.444Z","updatedAt":"2023-06-22T05:21:20.444Z"}},{"id":50,"attributes":{"name":"wiederaufnahme3.jpg","alternativeText":null,"caption":null,"width":1536,"height":2304,"formats":{"large":{"ext":".jpg","url":"/uploads/large_wiederaufnahme3_db450dbb36.jpg","hash":"large_wiederaufnahme3_db450dbb36","mime":"image/jpeg","name":"large_wiederaufnahme3.jpg","path":null,"size":71.61,"width":667,"height":1000},"small":{"ext":".jpg","url":"/uploads/small_wiederaufnahme3_db450dbb36.jpg","hash":"small_wiederaufnahme3_db450dbb36","mime":"image/jpeg","name":"small_wiederaufnahme3.jpg","path":null,"size":22.99,"width":333,"height":500},"medium":{"ext":".jpg","url":"/uploads/medium_wiederaufnahme3_db450dbb36.jpg","hash":"medium_wiederaufnahme3_db450dbb36","mime":"image/jpeg","name":"medium_wiederaufnahme3.jpg","path":null,"size":44.73,"width":500,"height":750},"thumbnail":{"ext":".jpg","url":"/uploads/thumbnail_wiederaufnahme3_db450dbb36.jpg","hash":"thumbnail_wiederaufnahme3_db450dbb36","mime":"image/jpeg","name":"thumbnail_wiederaufnahme3.jpg","path":null,"size":3.58,"width":104,"height":156}},"hash":"wiederaufnahme3_db450dbb36","ext":".jpg","mime":"image/jpeg","size":295.68,"url":"/uploads/wiederaufnahme3_db450dbb36.jpg","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-22T05:20:54.549Z","updatedAt":"2023-06-22T05:20:54.549Z"}},{"id":49,"attributes":{"name":"earpots3.jpg","alternativeText":null,"caption":null,"width":919,"height":613,"formats":{"small":{"ext":".jpg","url":"/uploads/small_earpots3_808727654b.jpg","hash":"small_earpots3_808727654b","mime":"image/jpeg","name":"small_earpots3.jpg","path":null,"size":28.31,"width":500,"height":334},"medium":{"ext":".jpg","url":"/uploads/medium_earpots3_808727654b.jpg","hash":"medium_earpots3_808727654b","mime":"image/jpeg","name":"medium_earpots3.jpg","path":null,"size":61.14,"width":750,"height":500},"thumbnail":{"ext":".jpg","url":"/uploads/thumbnail_earpots3_808727654b.jpg","hash":"thumbnail_earpots3_808727654b","mime":"image/jpeg","name":"thumbnail_earpots3.jpg","path":null,"size":7.57,"width":234,"height":156}},"hash":"earpots3_808727654b","ext":".jpg","mime":"image/jpeg","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interaction of the conductor with the orchestra. The human voice as an instrument. A study of Hermann Scherchen in the form of a connection between two organs. He works with absolute ear and perfectionism, with a passion for music and its musicians - and an imagination that makes everything bigger. This installation is an attempt to set an idea of Scherchen himself to music and at the same time to create a snapshot of him. The source material is a recording of Scherchen's rehearsal with the Stuttgart Symphony Orchestra of Ludwig van Beethoven's \"March of Wellington\", made by the Süddeutscher Rundfunk RSO on October 7, 1962. The audio material comes from the Hermann Scherchen Archive of the Akademie der Künste and was kindly made available for this work. In the installation, the conductor stands as one loudspeaker facing his orchestra. The orchestra consists of a female voice imitating the individual instruments. They develop a dialogue that seems impossible in time and space. In the spirit of Hermann Scherchen's vision of filling a room completely with sound (Nullstrahler), this work attempts to distribute the sound of Scherchen himself in the room.\n\nFor illustration, please watch the attached video, the original work unfortunately loses its effect in the stereo version.\n\"Die Wiederaufnahme\" was created as part of the Young Academy Fellowship, at the Academy of Arts Berlin 2016 and was presented there. Furthermore, the installation was part of the \"Kontakte'17\" festival, an electroacoustic music festival directed by Dr. Gregorio Karman Garcias. \n\nA remake of the piece was created for the Oslo Night at the Dreispitzgelände in Basel, together with Kaspar Ludwig the loudspeakers were connected to sound sculptures, creating a completely new kind of sound.","year":"2017","duration":"11","format":"8-Channel Mono, Loop","credits":"- Voice and Vocals: Johanna Bittner\n- Transposition: Manuel Bittdorf\n- Concept, Direction, Recording, Editing and Mix: Elena Zieser\n- Photography and Video:Nathan Johnson\n- Copyright Fotos Oslo Night: Spehr\n\nWith the kind support of the Hermann Scherchen Archive at Akademie der Künste Berlin and Jürgen Wittneben.\nWith special thanks to [Paul Plamper](https://www.hoerspielpark.de/website/person/paul-plamper) and Henning Lindow.\n\nExhibitions:\nGroup exhibition [Junge Akademie](https://www.adk.de/de/akademie/junge-akademie/index.htm) at [Akademie der Künste](https://www.adk.de/) in Berlin, 2017 \n[Kontakte Festival](https://www.adk.de/de/projekte/2017/kontakte17/Installationen/29_Elena_Zieser_Wiederaufnahme.htm), 2017\nOslo Night, Basel, 2018","createdAt":"2023-06-22T06:22:53.517Z","updatedAt":"2024-07-12T09:56:45.599Z","publishedAt":"2023-06-22T06:22:57.899Z","locale":"en","videoURL":"https://www.youtube.com/watch?v=60RR53kShz4"}}]}}},{"id":4,"attributes":{"title":"„Das Ich als Ich“","description":"DAS ICH ALS ICH spielt mit der Idee, die kollektive Erinnerung einer Gesellschaft zusammen zu führen und durch komplexe Collagentechnik neue Zusammenhänge und fiktive Geschichten zu montieren.\nIm Fokus stehen die Erinnerungen an die Schulzeit, sowie an erste Grenzerfahrungen, die in der Pubertät eine prägende Rolle einnehmen.\nWas es bedeutet ein Außenseiter zu sein, muss Fabian, unser Protagonist am eigenen Leib erfahren. Als langhaariger Kotletten-und Schlaghosenträger findet sich Fabian schnell unter den Verstoßenen wieder. Als schließlich auch seine Noten in den Keller rutschen, beginnt eine schwierige Phase.\n\nSechzehn Menschen erzählen aus ihren Erinnerungen an die Schulzeit. Sie haben die unterschiedlichsten Schulsysteme durchlaufen: Gymnasium, Hauptschule, Waldorfschule, Förderschule oder Internat - in sämtlichen Ecken der Republik. Aus dreißig Stunden Interview-Material wird eine komplexe O-Ton-Collage komponiert. So entsteht aus fragmentierten Erzählschnipseln Einzelner die unterhaltsame Geschichte einer ganzen Generation in ihrer prägenden Lebensphase. Erinnerung wird zu Fiktion.","year":"2014","duration":"50","format":"Stereo","credits":"Mit: Fabian Hapich, Natascha Rossi, Anton Weigl, Dennis Dietrich, Lothar Stegmann, Friedrich Koch, Clara Minkwitz, Martin Kallenbach, Erik Vogel, Sebastian van Vugt, Madleen Dannovski, Bernd Forkel, Barbara Lia Schmidt, Marie-Luise Schünemann, Vinzent Lerz, Lukas Erl und Tasma Zieser\nRegie und Schnitt: Elena Zieser und Maria Antonia Schmidt\nTechnische Realisation und Mix: Elena Zieser\nMusik und Komposition: Maria Antonia Schmidt\nGitarre: Jan Frisch\nCover: Markus Sternbauer\n\nEine Produktion des Experimentellen Radios an der Bauhaus-Universität Weimar, 2014.\n\nAusstrahlungen:\nOther Music Academy, Weimar, 06.01.2015\n[Deutschlandfunk Kultur](https://www.hoerspielundfeature.de/ursendung-erinnerungen-an-die-schule-das-ich-als-ich-100.html), 10.08.2015\nSWR2, 30.06.2015\n[SRF](https://www.srf.ch/audio/hoerspiel/das-ich-als-ich-von-maria-antonia-schmidt-und-elena-zieser?id=10855142), 18.05.2016\nORF, 19.01.2015\n\nAuszeichnungen:\nSzlâbbész bei den Österreichischen Hörspieltagen, 2015\nDritter Platz beim HörNixe Festival, Chemnitz\nNominiert beim [Berliner Hörspielfestival](https://berliner-hoerspielfestival.de/datenbank/?search=Das+Ich+als+Ich&list=&wett=lbm&jahr=2015&sort=) 2015\nNominiert beim [15. Leipziger Hörspielsommer](https://hoerspielsommer.de/) 2015\n","createdAt":"2023-03-31T06:41:58.862Z","updatedAt":"2023-10-07T12:24:08.828Z","publishedAt":"2023-03-31T06:42:03.279Z","locale":"de","videoURL":null,"coverImage":{"data":{"id":78,"attributes":{"name":"longdasichalsdachich.jpg","alternativeText":null,"caption":null,"width":826,"height":1000,"formats":{"small":{"ext":".jpg","url":"/uploads/small_longdasichalsdachich_fa8f5a6b1b.jpg","hash":"small_longdasichalsdachich_fa8f5a6b1b","mime":"image/jpeg","name":"small_longdasichalsdachich.jpg","path":null,"size":46.79,"width":413,"height":500},"medium":{"ext":".jpg","url":"/uploads/medium_longdasichalsdachich_fa8f5a6b1b.jpg","hash":"medium_longdasichalsdachich_fa8f5a6b1b","mime":"image/jpeg","name":"medium_longdasichalsdachich.jpg","path":null,"size":96.25,"width":620,"height":750},"thumbnail":{"ext":".jpg","url":"/uploads/thumbnail_longdasichalsdachich_fa8f5a6b1b.jpg","hash":"thumbnail_longdasichalsdachich_fa8f5a6b1b","mime":"image/jpeg","name":"thumbnail_longdasichalsdachich.jpg","path":null,"size":6.25,"width":129,"height":156}},"hash":"longdasichalsdachich_fa8f5a6b1b","ext":".jpg","mime":"image/jpeg","size":164.36,"url":"/uploads/longdasichalsdachich_fa8f5a6b1b.jpg","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-10-07T12:03:04.530Z","updatedAt":"2023-10-07T12:03:04.530Z"}}},"images":{"data":null},"category":{"data":{"id":1,"attributes":{"Name":"Hoerspiel","createdAt":"2023-02-22T10:59:06.652Z","updatedAt":"2023-02-22T11:29:50.897Z"}}},"audioFile":{"data":[{"id":33,"attributes":{"name":"dasichalsdich.webm","alternativeText":null,"caption":null,"width":null,"height":null,"formats":null,"hash":"dasichalsdich_b4bb2a7f90","ext":".webm","mime":"video/webm","size":34918.4,"url":"/uploads/dasichalsdich_b4bb2a7f90.webm","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-14T11:39:51.240Z","updatedAt":"2023-06-14T11:39:51.240Z"}},{"id":34,"attributes":{"name":"dasichalsdich.mp3","alternativeText":null,"caption":null,"width":null,"height":null,"formats":null,"hash":"dasichalsdich_e2c91d0907","ext":".mp3","mime":"audio/mpeg","size":47857.16,"url":"/uploads/dasichalsdich_e2c91d0907.mp3","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-14T11:40:00.999Z","updatedAt":"2023-06-14T11:40:00.999Z"}}]},"localizations":{"data":[{"id":6,"attributes":{"title":"„Das Ich als Ich“","description":"DAS ICH ALS ICH plays with the idea of bringing together the collective memories of a society and assembling new contexts and fictional stories through collage techniques.\nFocused on memories of school days, as well as first borderline experiences that play a formative role in puberty.\nProtagonist Fabian has to experience firsthand what it means to be an outsider. As a long-haired wearer of pukes and bell-bottoms, Fabian quickly finds himself among the outcasts. When his grades finally slide into the basement, a difficult phase begins.\n\nSixteen people talk about their memories of their school days. They have been through the most diverse school systems: Gymnasium, Hauptschule, Waldorfschule, special school or boarding school - in all corners of the republic. A complex collage of original sound is composed from thirty hours of interview material. In this way, the entertaining story of an entire generation in its formative phase of life is created from fragmented snippets of individual stories. Memory becomes fiction.","year":"2014","duration":"50","format":"Stereo","credits":"With: Fabian Hapich, Natascha Rossi, Anton Weigl, Dennis Dietrich, Lothar Stegmann, Friedrich Koch, Clara Minkwitz, Martin Kallenbach, Erik Vogel, Sebastian van Vugt, Madleen Dannovski, Bernd Forkel, Barbara Lia Schmidt, Marie-Luise Schünemann, Vinzent Lerz, Lukas Erl und Tasma Zieser\nDirection and Editing: Elena Zieser und Maria Antonia Schmidt\nMixing: Elena Zieser\nComposition and Sound Design: Maria Antonia Schmidt\nGuitar: Jan Frisch\nCover Design: Markus Sternbauer\n\nProduced by Experimental Radio at Bauhaus University Weimar, 2014.\n\nBroadcast:\nOther Music Academy, Weimar, 06.01.2015\n[Deutschlandfunk Kultur](https://www.hoerspielundfeature.de/ursendung-erinnerungen-an-die-schule-das-ich-als-ich-100.html), 10.08.2015\nSWR2, 30.06.2015\n[SRF](https://www.srf.ch/audio/hoerspiel/das-ich-als-ich-von-maria-antonia-schmidt-und-elena-zieser?id=10855142), 18.05.2016\nORF, 19.01.2015\n\nAwards:\nSzlâbbész bei den Österreichischen Hörspieltagen, 2015\nDritter Platz beim HörNixe Festival, Chemnitz\nNominiert beim [Berliner Hörspielfestival](https://berliner-hoerspielfestival.de/datenbank/?search=Das+Ich+als+Ich&list=&wett=lbm&jahr=2015&sort=) 2015\nNominiert beim [15. Leipziger Hörspielsommer](https://hoerspielsommer.de/) 2015\n","createdAt":"2023-03-31T06:45:45.434Z","updatedAt":"2023-10-07T12:24:08.744Z","publishedAt":"2023-04-11T06:13:54.586Z","locale":"en","videoURL":null}}]}}},{"id":13,"attributes":{"title":"Tief unten","description":"Die Faszination der Menschen für das „unter-Wasser-sein“ mit nur einem Atemzug ist bis heute ungebrochen. Der Extremsport Apnoe Tauchen, auch bekannt als Frei Tauchen verkörpert diese Sehnsucht nach der angeblichen oder tatsächlichen Freiheit unter Wasser. Die Weltrekorde liegen bei 172 m. Die Zeit des Luftanhaltens bei fünf Minuten. (Stand 2013) Der Tiefenrausch und die Besonderheit dieser Sportart, steht in Verbindung mit phyischen Grenzen und der Faszination der Tiefe, der Weite in einer Welt, die sich so sehr von unserer Welt unterscheidet. Der tragische Unfall im Jahr 2002 von Audrey Mestre, die bei einem Rekordversucht aufgrund technischer Probleme ums Leben kam, nachdem sie über 8 Minuten die Luft angehalten hatte, machte diesen Sport populär und kritisierten ihn seither scharf.\n\nTIEF UNTEN ist ein Einblick in die Geschichte des Frei Tauchens. Ein Versuch, die Faszination der Tiefe zu ergründen.\n\nDas künstlerische Feature entstand im Werkmodul \"Unter Druck. Eine Radio-Textwerkstatt mit gewissen Zwängen\", betreut durch Martin Becker.\n","year":"2012","duration":"33","format":"Stereo","credits":"- Mit: Sabine Zieser, [Philipp Oehme](https://www.sprecher-oehme.de/), Ingo Dönch, Jens Berger, Johannes Schmidt\n- Regie und Schnitt: Elena Zieser\n- Musik und Komposition: Bettina Ostermaier\n- Akkordeon: Robert Nowacki\n\nEine Produktion des [Experimentellen Radio ](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/)an der Bauhaus-Universität Weimar, 2012.\n\nAusstrahlungen:\n11. 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They are listed on the [project page ](https://stolpersteine.wdr.de/web/de/).\n\nAwards:\n[Grimme Online Award](https://www.grimme-online-award.de/2023/nominierte/n/d/stolpersteine-nrw), 2023","createdAt":"2023-10-21T07:02:04.974Z","updatedAt":"2024-01-08T18:18:23.660Z","publishedAt":"2023-10-21T07:07:59.186Z","locale":"en","videoURL":null}}]}}},{"id":15,"attributes":{"title":"Großvaters Haus oder ein Winkel der Welt","description":"Erzähl uns von dem Haus deiner Großeltern. Wie sah es dort aus, beschreibe die Gegenstände, die Gerüche und Klänge. Kannst du dich an deine Großeltern erinnern?\n\nFünfzehn Interview mit fünfzehn Personen, verschiedener Herkunft und Alters. Aus den kollektiven Erinnerungen entsteht ein komplett neues, durchaus absurdes und fiktives Haus der Großeltern. Die Interviewten verschmelzen zu einer großen Familie und ihre Erinnerungen ergänzen sich gegenseitig, spinnen sich weiter und beschreiben feinfühlig und genau die Geschichte von Großmutter und Großvater, die in diesem Haus leben, die von ihren Enkel*innen beobachtet werden, die am Ende ihres Lebens stehen und eine seltsam starke Prägung hinterlassen. Dieses O-Ton Hörspiel öffnet die Türen zu vergessenen Orten und vergessen Winkeln aus der Vergangenheit der Generationen, die kulturelle und zeitliche Grenzen mühelos überschreiten.\n\nGROSSVATERS HAUS entstand im Projektmodul \"Freedom and Sunshine\" unter der Leitung von Andreas Feddersen und Mario Weise.","year":"2011","duration":"36","format":"Stereo","credits":"- Mit: Gabriele Bergmann, Alexander Berlich, [Martin Becker](http://martinbecker.com/), Helga Walpurga Brunnemann, Martin Brunnemann, Joanna Czech, Magalie Delattre, Sascha Langenbach, Elke Minckwitz, Michael Nieden, Maxim Prytula, Annemarie Rehfeldt, Jochen Strezinski, Elli Zieser und Tasma Zieser\n- Regie und Schnitt: Elena Zieser, [Maria Antonia Schmidt](https://www.maria-antonia-schmidt.com/)\n- Sounddesign: Maria Antonia Schmidt\n- Mixing: Elena Zieser\n- Musik: [Wolfgang Lackerschmitt](https://www.lackerschmid.de/)\n\nEine Produktion vom [Experimentellen Radio](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/) an der Bauhaus-Universität Weimar, 2011. Gefördert durch den [Frauenförderfond](https://www.uni-weimar.de/de/universitaet/struktur/zentrale-einrichtungen/gleichstellungsbuero/fonds-und-stipendien/frauenfoerderfonds/) der Bauhaus-Universität Weimar.\n\nAusstrahlungen:\nSWR2, 22.10.2012\n[Hörkunstfestival](https://www.eingsteckt-is.at/), 2012\npräsentiert in der Gruppenausstellung [YEA](https://www.kunsthaus-erfurt.de/?p=1564#more-1564) im Kunsthaus Erfurt, 2013\n[Blaue Nacht Nürnberg](https://www.nuernberg.de/internet/dieblauenacht/), 2013\nKleinkunst- und Liedermacherfestival [adriAkustik](https://www.adriakustik.de/) im Kulturpark Deutzen bei Borna, 18.05.2013 \n[Folk&Fusion Festival](http://www.folknfusion.de/), 31.10.2015\n[Leipziger Hörspielsommer](https://hoerspielsommer-verein.de/), 2017\n[Hörspielwiese der Klassikstiftung Weimar](https://www.klassik-stiftung.de/ihr-besuch/veranstaltung/experimentelles-radio-hoerspielwiese-2023-1/), 13.07.2023\n\nAuszeichnungen:\nnominiert für den Prix Pierre Schaeffer, 2011\n[lobend erwähnt](https://www.uni-weimar.de/de/kunst-und-gestaltung/professuren/experimentelles-radio/meldungen/preisverleihung-hoerspielsommer/) beim Hörspielsommer, 2012\n\n","createdAt":"2023-06-19T09:57:32.734Z","updatedAt":"2024-01-08T18:22:23.347Z","publishedAt":"2023-06-19T09:59:44.690Z","locale":"de","videoURL":null,"coverImage":{"data":{"id":42,"attributes":{"name":"grossvater.jpg","alternativeText":null,"caption":null,"width":500,"height":500,"formats":{"thumbnail":{"ext":".jpg","url":"/uploads/thumbnail_grossvater_cb4d0add61.jpg","hash":"thumbnail_grossvater_cb4d0add61","mime":"image/jpeg","name":"thumbnail_grossvater.jpg","path":null,"size":7.51,"width":156,"height":156}},"hash":"grossvater_cb4d0add61","ext":".jpg","mime":"image/jpeg","size":38.46,"url":"/uploads/grossvater_cb4d0add61.jpg","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-19T09:58:07.038Z","updatedAt":"2023-06-19T09:58:07.038Z"}}},"images":{"data":null},"category":{"data":{"id":1,"attributes":{"Name":"Hoerspiel","createdAt":"2023-02-22T10:59:06.652Z","updatedAt":"2023-02-22T11:29:50.897Z"}}},"audioFile":{"data":[{"id":38,"attributes":{"name":"grossvatershaus.webm","alternativeText":null,"caption":null,"width":null,"height":null,"formats":null,"hash":"grossvatershaus_c4cec32f87","ext":".webm","mime":"video/webm","size":23976.92,"url":"/uploads/grossvatershaus_c4cec32f87.webm","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-19T09:46:04.744Z","updatedAt":"2023-06-19T09:46:04.744Z"}},{"id":39,"attributes":{"name":"grossvatershaus.mp3","alternativeText":null,"caption":null,"width":null,"height":null,"formats":null,"hash":"grossvatershaus_2e11b985db","ext":".mp3","mime":"audio/mpeg","size":83122.68,"url":"/uploads/grossvatershaus_2e11b985db.mp3","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-19T09:46:53.905Z","updatedAt":"2023-06-19T09:46:53.905Z"}}]},"localizations":{"data":[{"id":16,"attributes":{"title":"Grossvaters Haus oder ein Winkel der Welt","description":"Tell us about your grandparents' house. What did it look like, describe the objects, the smells and sounds. Can you remember your grandparents?\n\nFifteen interviews with fifteen people, of different origins and ages. From the collective memories, a completely new, thoroughly absurd and fictitious house of grandparents emerges. The interviewees merge into one big family and their memories complement each other, spin on and describe sensitively and precisely the story of grandmother and grandfather who live in this house, who are observed by their grandchildren, who are at the end of their lives and leave a strangely strong imprint. 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Funded by [Frauenförderfond](https://www.uni-weimar.de/de/universitaet/struktur/zentrale-einrichtungen/gleichstellungsbuero/fonds-und-stipendien/frauenfoerderfonds/) Bauhaus-Universität Weimar.\n\nBroadcast:\nSWR2, 2012/10/22\n[Hörkunstfestival](https://www.eingsteckt-is.at/), 2012\npresented in the group exhibition [YEA](https://www.kunsthaus-erfurt.de/?p=1564#more-1564) at Kunsthaus Erfurt, 2013\n[Blaue Nacht Nürnberg](https://www.nuernberg.de/internet/dieblauenacht/), 2013\nCabaret and singer-songwriter festival [adriAkustik](https://www.adriakustik.de/) at Kulturpark Deutzen near Borna, 2013 \n[Folk&Fusion Festival](http://www.folknfusion.de/), 2015\n[Leipziger Hörspielsommer](https://hoerspielsommer-verein.de/), 2017\n[Hörspielwiese der Klassikstiftung Weimar](https://www.klassik-stiftung.de/ihr-besuch/veranstaltung/experimentelles-radio-hoerspielwiese-2023-1/), 2023\n\nAwards:\nnominated for Prix Pierre Schaeffer, 2011\n[commended](https://www.uni-weimar.de/de/kunst-und-gestaltung/professuren/experimentelles-radio/meldungen/preisverleihung-hoerspielsommer/) at Hörspielsommer, 2012\n\n","createdAt":"2023-06-19T09:59:34.894Z","updatedAt":"2024-01-08T18:22:23.104Z","publishedAt":"2023-06-19T09:59:40.296Z","locale":"en","videoURL":null}}]}}},{"id":37,"attributes":{"title":"Ein ganz langweiliges Zimmer","description":"Anlässlich der KUNSTWELTEN-Ausstellung On My Way – Geschichten aus Europa veranstalteten die Audiokünstlerin Elena Zieser und die Autorin Gesine Bey im September 2020 mit Kindern einer 4. Klasse der evangelischen Grundschule Wolfen eine Hörspielwerkstatt und ließen sich von einem Hörspiel von Anna Seghers inspirieren, das sie 1938 für ihre Tochter und ihren Sohn im Pariser Exil geschrieben hatte. Anna Seghers lässt einen Jungen in seinen Träumen mit Gegenständen und seltsame Gestalten sprechen. In dem Hörspiel der Kinder aus Bitterfeld-Wolfen geht es um Alltags- und Lieblingsgegenstände, die sie umgeben. 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und der Zauberkorb","description":"\"Every dull whisper, short crackle, or wide snap palpates her colorful thoughts and makes them dance entwined. Most mornings, when the Klä̈nge are still awake and the air is cleared, Isabella lurks like this at the open window and feels like an eggcake filled with pearly dripping jam.\" (Excerpt from: \"Isabella and the Thunderous Silence\")\n\nIsabella is a preschool-aged girl. She experiences stories stimulated by the sounds, smells, and perceptions of her environment. In her world Isabella moves accompanied by her magic basket. It is her imaginary safeguard to feel brave and carefree. Her stories focus on moments and moods in which she drifts and lingers. Her experiences are snippets of her development as a child, dealing with her feelings and experiencing the world around her. Often her stories are about the small in the big, about sadness, fear, courage, curiosity, care and joy.\nThe stories of Isabella are set to music as radio plays. The narrative style is an attempt to avoid generally valid descriptions. Perhaps this is how the most diverse perceptual abilities meet in a common world that everyone can play with through their imagination.\n\n**The walk-in installation**.\nThe dense sequence of inner visual worlds evoked by the text can unfold most comfortably in a reduced environment. Daylight and environmental sounds were therefore dispensed with in the design of the space. The only elements are a soft reclining surface, cushions spread out on it with a muted glow, from which the individual stories can be heard whispering. When the listener, coming from the brightness of the day, enters this atmosphere, he symbolically enters the emotional world of Isabella.\nThe almost complete darkness will at first unsettle the visitors, but if they accept the unfamiliar, their eyes will adapt to the darkness and their ears will become more sensitive to the sounds. They will discover the pillows and their stories like Isabella discovered her world. The stories themselves, by their nature, mood and plot, are meant to be an invitation for all ages, especially for people with specialized perception, such as the visually impaired or autistic.\n\nYou can still listen to the radio play in a stereo version [here](https://www.zauberkorb.com/).","year":"2015","duration":"5x10 ","format":"Mono, 5-Channel, Loop","credits":"- With: Monika John\n- Author: Henning Lindow\n- Technical realization: [Maximilian Netter](https://www.funkhaus-ost.de/agentur)\n- Music and composition: [Sebastian van Vugt](https://baldabiou.bandcamp.com/album/all-the-things)\n- Direction, Editing and Mixing: Elena Zieser\n- Photography and Website: Christian Brinkmann\n- Video: [Kristin Herziger](https://www.kristinherziger.com/)\n\nProduced by [Experimentelles Radio](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/) at Bauhaus University Weimar, 2015.","createdAt":"2023-06-22T05:56:12.927Z","updatedAt":"2023-10-20T15:31:29.932Z","publishedAt":"2023-06-22T05:58:13.707Z","locale":"en","videoURL":null}}]}}},{"id":17,"attributes":{"title":"Blank","description":"Wir gehen auf unseren Beinen, auf unseren Füßen. Wir bewegen uns fort. Tastend, mutig und leichtsinnig. Jedes Körperteil hat seine Funktion. Vorankommen, losrennen, hinfallen, weitermachen.\nBerühren wir uns, fallen wir. Oder lachen. Machmal geht uns im Lauf etwas verloren.\n\nDiese Hörspiel entstand im Projektmodul \"Regie\" am Lehrstuhl für Experimentelles Radio unter der Leitung von Prof. Nathalie Singer und Andreas Feddersen. Das Projekt war eine Kooperation DeutschlandFunk Kultur und der Hochschule für Schauspielkunst Ernst Busch in Berlin. BLANK ist das erste Hörspiel von Elena Zieser.\n\nRezension bei detektor.fm von Sofia Flesch Baldin:\n\"_Das Wort „Blank“ bedeutet soviel wie „schimmernd“, „entblößt“ oder auch „pleite“. In diesem Stück nimmt das sprechende „Wir“ die „blanke“ Subjektivität körperlicher Bewegung ein. Deren Wahrnehmung ist die offen gelegter Nerven.\nDie Entdeckungen und Gedanken sind zu einer vielschichtigen Klang- und Wortkomposition verdichtet, die die körperliche Spur der Stimmungen und Bilder konsequent verfolgt. Der Sprecher vermittelt stimmlich unkommentiert die wechselnden, schimmernden Zustände dieses „Blankseins“, was das Stück sehr intensiv macht. Das Stück ist eine poetisch-musikalische Gesprächigkeit körperlicher Bewegung im Kaleidoskop einer hypersensiblen Subjektivität – die potentiell „unsere“ Subjektivität sein könnte._\"","year":"2010","duration":"9","format":"Stereo","credits":"- Sprecher: Stephan Siegfried\n- Autorin: [Tina Gintrowski](https://www.poetenladen.de/tina-gintrowski.html)\n- Regie und Schnitt: Elena Zieser\n- Musik: Frederik Burkhart\n- Mixing: [Mario Weise](https://www.funkhaus-ost.de/)\n\nEine Produktion des [Experimentellen Radios](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/) an der [Bauhaus-Universität](https://www.uni-weimar.de/de/universitaet/start/) Weimar, 2010/11.\n\nAusstrahlungen:\n[DeutschlandFunk Kultur](https://www.hoerspielundfeature.de/),01.06.2010\n[Detektor.fm](https://detektor.fm/kultur/freistunde-hoerkunst-labor-recyklang-und-blank-kurzhoerstuecke?fbclid=IwAR0pabhlD3VzOPloiXqidFQBBd0758OAxkseOvFQ3pChw1jgh3e8T9etXMU_aem_AVdW_Q8R_Oy5YZ8G9qFTZazEp_Pspv8yrlAHsQY6L4dzGCwAGI1_XPlKb2Fv_O-PWMQ), 27.10.2013\n\nErschienen auf der CD des 4. 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We're moving on. Groping, brave and reckless. Every part of the body has its function. Go ahead, start running, fall, keep going. If we touch each other, we fall. Or laugh.\nSometimes we get lost along the way.\n\nThis radio play produced at the Chair for Experimental Radio in Weimar led by Prof. Nathalie Singer. This course was a cooperation between DeutschlandFunk Kultur and Hochschule für Schauspielkunst Ernst Busch in Berlin. \nBLANK is the first radio play by Elena Zieser.\n","year":"2010","duration":"9","format":"Stereo","credits":"- With Stephan Siegfried\n- Author: [Tina Gintrowski](https://www.poetenladen.de/tina-gintrowski.html)\n- Recording, Direction and Editing: Elena Zieser\n- Music: Frederik Burkhart\n- Mixing: [Mario Weise](https://www.funkhaus-ost.de/)\n\nProduced by [Experimentellen Radio](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/)at [Bauhaus-Universität](https://www.uni-weimar.de/de/universitaet/start/)Weimar, 2010/11.\n\nBroadcast:\n[DeutschlandFunk Kultur](https://www.hoerspielundfeature.de/), 2010\n[Detektor.fm](https://detektor.fm/), 2013\n\nReleased on CD of the 4th \"summerfugl\" in Jena.","createdAt":"2023-06-20T07:28:00.404Z","updatedAt":"2023-07-27T09:41:41.540Z","publishedAt":"2023-06-20T07:28:03.288Z","locale":"en","videoURL":null}}]}}},{"id":7,"attributes":{"title":"Trauerspiel","description":"Erzählt wird die Geschichte von Zeltbauern in Paris, die versuchen vom Schatten ins Licht zu kommen. Das Leben hat sie zu groben Kerlen gemacht. Aber dann, nimmt ihr Leben eine Wendung. Sie beginnen, von ihrem eigenen Zirkus zu träumen. Am Rande der Gesellschaft wird ein Hund zur Hauptattraktion. Es geht um das, was hinter dem Rampenlicht passiert.\nEs geht um ein Zelt, um den Zirkus und seine Träume.\n\nBasierend auf der Vorlage „Der Hund von Ballard“ von Ludovic Roubaudi ist ein Mehrkanal – Hörspiel entstanden. Neben der Geschichte rund um die Zirkuszeltbauer, steht der akustische Aufbau eines Zirkuszeltes im Vordergrund der Aufnahmen. Die Arbeit existiert in zwei Versionen: Eine 5.1 Mehrkanal Version, die als Installation aufgebaut und aufgeführt werden Kann. 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A stereo version, in which the spatiality of the circus tent is reduced, but the story of the protagonists comes more to the fore.\n\nTRAUERSPIEL is the bachelor thesis of Elena Zieser, supervised by Prof. Nathalie Singer and Mario Weise.","year":"2013","duration":"47","format":"Stereo","credits":"- With: Thomas Herr, Gregor Henze, David Schirmer, Christian Klischat, Wolfgang Kaiser, Sabine Zieser\n- Author: Ludovic Roubaudi\n- Adaptation: Elena Zieser\n- Technical Setup and Recordings: Maximilian Netter\n- Music and Composition: Niklas Kammermeier\n- Direction, Editing and Mix (Stereo and Surround): Elena Zieser\n\nProduced by [Experimentellen Radio](https://www.uni-weimar.de/en/art-and-design/chairs/experimental-radio/) at Bauhaus University Weimar, 2013.\n\nBroadcasts:\nSWR, Jannuar 2016\n\nAwards:\nNominiert im internationalen Wettbewerb des 14. Leipziger Hörspielsommers, 2015","createdAt":"2023-06-13T13:13:01.145Z","updatedAt":"2024-01-08T18:19:46.050Z","publishedAt":"2023-06-13T13:13:03.068Z","locale":"en","videoURL":null}}]}}},{"id":25,"attributes":{"title":"Grimmwelt","description":"Für die Ausstellungskonzeption der [GRIMMWELT](https://www.grimmwelt.de/de/ausstellungen/grimmwelt) Kassel, die am 4. September 2015 eröffnet wurde, zeichnet die kuratorische Arbeitsgemeinschaft [hürlimann + lepp](https://huerlimann-lepp.de/) verantwortlich. Gemeinsam mit einem Team von wissenschaftlichen MitarbeiterInnen aus den Kultur- Literatur- und Medienwissenschaften entstand unter der Leitung von Nicola Lepp und Annemarie Hürlimann die Konzeption und Regie der Ausstellung. Sie wurde vom Zürcher Gestalterbüro [Holzer Kobler Architekturen](https://holzerkobler.com/) umgesetzt. Die Ausstellung ist aufgebaut wie ein Glossar. Von ÄRSCHLEIN bis ZETTEL gibt sie in 25 Arrangements ganz unterschiedliche Einblicke in das Grimmsche Schaffen und seine Folgen – in ihre Arbeits- und Lebensweise genauso wie in die Imaginationen und Phantasien, die ihr Werk bis in die Gegenwart hervorgebracht hat. Mit historischen Originalen, mit künstlerischen und filmischen Installationen, mit interaktiven und gestalterischen Interventionen vollzieht die GRIMMWELT auch in ihrer Ausstellungssprache die Vielfalt der Annäherungsweisen an das Grimmsche Werk. (Quelle: [https://huerlimann-lepp.de/grimmwelt/dauerausstellung](https://huerlimann-lepp.de/grimmwelt/dauerausstellung)\n\nFür die GRIMMWELT in Kassel produzierte Elena Zieser in enger Zusammenarbeit mit Nicola Lepp, Michael Schramm und Sabine Zieser mehrere interaktive Audioinstallationen.\n\n**Dornenhecke**\nMehrkanal, 2015\nIn der DORNENHECKE kann das Publikum mit dem Spiegel sprechen, sich zu den sieben Zwergen an den Tisch setzen, mit der Hexe parlieren oder sich von der Großmutter alias dem Wolf fressen lassen. Im HEXENHAUS können Hänsel und Gretel gerettet werden, in dem die Hexe in den Ofen gestossen wird. Und ein Blick in den BRUNNEN DES WILDEN MANN erzählt die Geschichte des vergoldeten Fingers. Für diese Arbeiten produzierte Elena Zieser das Sounddesign, die Aufnahmen und Regie in Zusammenarbeit mit den Schauspieler*innen.\n\n**Phantasiegestalten**\nStereo, 2015\nPHANTASIEGESTALT ist eine O-Ton-Collage einer kollektiven Erinnerung an die Grimmschen Märchen auf deutsch und englisch.\nDie Collage besteht aus 20 Audiointerviews, geführt und geschnitten von Elena Zieser.","year":"2015","duration":null,"format":null,"credits":"Grimmwelt\nKonzeption und Regie: Annemarie Hürlimann, Nicola Lepp\nKuratorische Leitung: Nicola Lepp\nWissenschaftlich-kuratorische Mitarbeit: Gregor Kanitz, Olga von Schubert\nProjektmanagement: Susanne Narock\nAssistenz und Recherchen: Julia Grabowski, Michel Griese, Alexis Hyman Wolff, Nina Peter, Lea Pfäffli, Theo Thiesmeier\n\nDornenhecke\nText, Regie und Umsetzung: Michael Schramm und Sabine Zieser\nAufnahme, Schnitt und Sounddesign: Elena Zieser\n\nPhanatasiegestalten\nAufnahme, Regie und Schnitt: Elena Zieser\n\n[Zeit Online Artikel](https://www.zeit.de/entdecken/reisen/merian/grimmwelt-kassel-museum-maerchen)\n","createdAt":"2023-06-22T06:27:11.085Z","updatedAt":"2024-01-08T18:25:17.619Z","publishedAt":"2023-06-22T06:33:03.014Z","locale":"de","videoURL":null,"coverImage":{"data":{"id":58,"attributes":{"name":"grimmwelt1.jpeg","alternativeText":null,"caption":null,"width":626,"height":900,"formats":{"small":{"ext":".jpeg","url":"/uploads/small_grimmwelt1_52c314a4be.jpeg","hash":"small_grimmwelt1_52c314a4be","mime":"image/jpeg","name":"small_grimmwelt1.jpeg","path":null,"size":23.78,"width":348,"height":500},"medium":{"ext":".jpeg","url":"/uploads/medium_grimmwelt1_52c314a4be.jpeg","hash":"medium_grimmwelt1_52c314a4be","mime":"image/jpeg","name":"medium_grimmwelt1.jpeg","path":null,"size":47.7,"width":522,"height":750},"thumbnail":{"ext":".jpeg","url":"/uploads/thumbnail_grimmwelt1_52c314a4be.jpeg","hash":"thumbnail_grimmwelt1_52c314a4be","mime":"image/jpeg","name":"thumbnail_grimmwelt1.jpeg","path":null,"size":3.68,"width":108,"height":156}},"hash":"grimmwelt1_52c314a4be","ext":".jpeg","mime":"image/jpeg","size":65.94,"url":"/uploads/grimmwelt1_52c314a4be.jpeg","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-22T06:27:56.753Z","updatedAt":"2023-06-22T06:27:56.753Z"}}},"images":{"data":[{"id":59,"attributes":{"name":"grimmwelt2.jpeg","alternativeText":null,"caption":null,"width":620,"height":927,"formats":{"small":{"ext":".jpeg","url":"/uploads/small_grimmwelt2_07c329f286.jpeg","hash":"small_grimmwelt2_07c329f286","mime":"image/jpeg","name":"small_grimmwelt2.jpeg","path":null,"size":32.88,"width":334,"height":500},"medium":{"ext":".jpeg","url":"/uploads/medium_grimmwelt2_07c329f286.jpeg","hash":"medium_grimmwelt2_07c329f286","mime":"image/jpeg","name":"medium_grimmwelt2.jpeg","path":null,"size":74.28,"width":502,"height":750},"thumbnail":{"ext":".jpeg","url":"/uploads/thumbnail_grimmwelt2_07c329f286.jpeg","hash":"thumbnail_grimmwelt2_07c329f286","mime":"image/jpeg","name":"thumbnail_grimmwelt2.jpeg","path":null,"size":3.94,"width":105,"height":156}},"hash":"grimmwelt2_07c329f286","ext":".jpeg","mime":"image/jpeg","size":115.41,"url":"/uploads/grimmwelt2_07c329f286.jpeg","previewUrl":null,"provider":"local","provider_metadata":null,"createdAt":"2023-06-22T06:28:07.729Z","updatedAt":"2023-06-22T06:28:07.729Z"}}]},"category":{"data":{"id":3,"attributes":{"Name":"Installation","createdAt":"2023-03-31T06:35:07.771Z","updatedAt":"2023-03-31T06:35:17.018Z"}}},"audioFile":{"data":null},"localizations":{"data":[{"id":26,"attributes":{"title":"Grimmwelt","description":"The curatorial consortium [hürlimann + lepp](https://huerlimann-lepp.de/) is responsible for the exhibition concept of [GRIMMWELT](https://www.grimmwelt.de/de/ausstellungen/grimmwelt)Kassel, which opened on September 4, 2015. Together with a team of scientific collaborators from the fields of cultural, literary and media studies, the conception and direction of the exhibition was created under the direction of Nicola Lepp and Annemarie Hürlimann. It was realized by the Zurich design office [Holzer Kobler Architekturen](https://holzerkobler.com/). The exhibition is structured like a glossary. In 25 arrangements, from ÄRSCHLEIN to ZETTEL, it provides very different insights into Grimm's work and its consequences - into her way of working and living as well as into the imaginations and fantasies that her work has produced up to the present day. With historical originals, with artistic and cinematic installations, with interactive and creative interventions, the GRIMMWELT also accomplishes the diversity of approaches to the Grimms' work in its exhibition language. (Source: [https://huerlimann-lepp.de/grimmwelt/dauerausstellung](https://huerlimann-lepp.de/grimmwelt/dauerausstellung)\n\nFor GRIMMWELT in Kassel, Elena Zieser produced several interactive audio installations in close collaboration with Nicola Lepp, Michael Schramm and Sabine Zieser.\n**Dornenhecke**\nMulti-channel, 2015\nIn DORNENHECKE the audience can talk to the mirror, sit at the table with the seven dwarfs, parley with the witch or be eaten by the grandmother alias the wolf. In the WITCH HOUSE Hansel and Gretel can be saved by pushing the witch into the oven. And a look into the WILD MAN'S WELL tells the story of the gilded finger. For these works Elena Ziesner produced the sound design, recording and directing in collaboration with the actors*.\n\n**Phantasiegestalten**\nStereo, 2015\nPHANTASIEGESTALTEN is an original sound collage of a collective memory of Grimm's fairy tales in German and English.\nThe collage consists of 20 audio interviews, conducted and edited by Elena Zieser.\n","year":"2015","duration":null,"format":null,"credits":"Grimmwelt\nConcept and Direction: Annemarie Hürlimann, Nicola Lepp\nCuratiorial Direction: Nicola Lepp\nScientific-curatorial cooperation: Gregor Kanitz, Olga von Schubert\nProjecmanagement: Susanne Narock\nAssistance and research: Julia Grabowski, Michel Griese, Alexis Hyman Wolff, Nina Peter, Lea Pfäffli, Theo Thiesmeier\n\nDornenhecke\nAuthors and Direction: Michael Schramm, Sabine Zieser\nRecording, Editing and Sound design: Elena Zieser\n\nPhanatasiegestalten\nRecording, Editing and Sound design: Elena Zieser\n\n[Zeit Online Article](https://www.zeit.de/entdecken/reisen/merian/grimmwelt-kassel-museum-maerchen)\n","createdAt":"2023-06-22T06:32:36.377Z","updatedAt":"2024-01-08T18:25:17.470Z","publishedAt":"2023-06-22T06:32:37.893Z","locale":"en","videoURL":null}}]}}},{"id":34,"attributes":{"title":"Plötzlich tief im Wald","description":"Eine seltsame Stille hing über dem Dorf. Keine Kuh muhte, kein Vogel zwitscherte, kein Hund hob den Kopf und bellte den Mond an, nie flog eine Schar Wildgänse über den leeren Himmel und im Morgengrauen krähte kein Hahn. Vor vielen Jahren schon waren alle Tiere aus dem Dorf verschwunden. Es passierte jedoch manchmal, dass die Eltern plötzlich anfingen, die Stimmen der Tiere nachzuahmen. Stimmen, an die sie sich noch aus ihrer Kindheit erinnerten. Die, die Kinder aber noch nie gehört hatten. Von allen Kindern im Dorf waren es nur Maja und Mati, die daran glaubten, dass es irgendwo wirklich Tiere gibt. Sie wussten etwas, was sie nicht wissen durften, oder sie wussten es fast. Mati und Maja hatten ein Geheimnis, ein sehr geheimes Geheimnis.\n\nEin Hörspiel für die Bühne nach der gleichnamigen Erzählung von Amos Oz.","year":"2022","duration":"60","format":"10-Kanal","credits":"Mit: Michael Bang, Christine Mertens\nStimmen: Gerd Beyer, Felix Boier, Nathan Johnson, Michael Schramm\nRegie: Sabine Zieser \nAufnahme, Schnitt und Sounddesign: Elena Zieser\nBühnenbild: [Maria Pfeiffer](https://www.mariapfeiffer.de/)\nKomposition: [Niklas Kammermeier](https://www.niklaskammermeier.de/)\nKostüme: [André Schreiber](https://andoriro.wixsite.com/website-2)\nLichtdesign: Gabriela Wieczorek, Jannes Stirner\nRegieassistenz: Rebekka Lindner\nBühnenbildassistenz: Karoline Krämer\nFotos: [Rudi Ott](https://www.rudi-ott.de/rudi_ott_foto/Willkommen.html)\nRechte: Amos Oz, 2002. Alle Rechte vorbehalten.\nPremiere: 15.10.2022\n\nEine Produktion von [Theater Mummpitz](https://www.theater-mummpitz.de/), 2022\n\nAufführung:\n[Kuss Theater Festival](https://www.hltm.de/de/kuss-uebersicht), Marburg, 2023\n[Bayrischen Theatertage](https://www.bayerische-theatertage.de/spielplan/inszenierungen/inszenierungen-detailseite/2475.html) in Ingolstadt am 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tief im Wald","description":"A strange silence hung over the village. No cow mooed, no bird chirped, no dog raised its head and barked at the moon, there was never a flock of wild geese who flew across the empty sky and at dawn no rooster crowed. Many years ago all the animals had already disappeared from the village. However, it sometimes happened that the parents suddenly began to imitate the voices of the animals. Voices they remembered from their childhood. But the children had never heard them before. Of all the children in the village, it was only Maja and Mati who believed that there really were animals somewhere. They knew something that they were not allowed to know, or they almost knew. Mati and Maja had a secret, a very secret secret.\n\nA radio play on stage based on a story by Amos Oz.","year":"2022","duration":"60","format":"10-Channel","credits":"With: Michael Bang, Christine Mertens\nVoices: Gerd Beyer, Felix Boier, Nathan Johnson, Michael Schramm\nDirection: Sabine Zieser \nRecording, Editing and Sound Design: Elena Zieser\nStage Design: [Maria Pfeiffer](https://www.mariapfeiffer.de/)\nComposition: [Niklas Kammermeier](https://www.niklaskammermeier.de/)\nCostume Design: [André Schreiber](https://andoriro.wixsite.com/website-2)\nLight Design: Gabriela Wieczorek, Jannes Stirner\nAssistance Direction: Rebekka Lindner\nAssistance Stage Design: Karoline Krämer\nPhotos: [Rudi Ott](https://www.rudi-ott.de/rudi_ott_foto/Willkommen.html)\nCopyright: Amos Oz, 2002\nPremiere: 15.10.2022\n\nProduced by [Theater Mummpitz](https://www.theater-mummpitz.de/), 2022\n\nShows:\n[Kuss Theater Festival](https://www.hltm.de/de/kuss-uebersicht), Marburg, 2023\n[Bayrischen Theatertage](https://www.bayerische-theatertage.de/spielplan/inszenierungen/inszenierungen-detailseite/2475.html) in Ingolstadt am 12./13.06.2024\n","createdAt":"2023-07-27T07:59:02.406Z","updatedAt":"2024-03-23T14:58:39.750Z","publishedAt":"2023-10-07T16:17:53.621Z","locale":"en","videoURL":"https://www.youtube.com/watch?v=J8dfUTUpwGU"}}]}}},{"id":57,"attributes":{"title":"Das Haus der Frau L","description":"DAS HAUS DER FRAU L\nzwei begehbare Lebensgeschichten für Smartphone und Kopfhörer\nvon [LOCI Kollektiv](https://loci-kollektiv.de/)\n\nEin Video-Walk erzählt die kontrastierenden Lebensgeschichten zweier ehemaliger Bewohnerinnen einer Villa im Nürnberger Norden: Emilie Löb und Gabriele Lehmann. Die beiden Frauen haben sich nie getroffen, und doch haben sie in den Zimmern des Hauses Spuren hinterlassen. Spuren von Karriere, Erfolg und Zugehörigkeit, aber auch von Einsamkeit, Ausgrenzung und Verbrechen. Die Besucher:innen werden dazu eingeladen, am Originalort mit ihren Smartphones und Kopfhörern auf die Suche nach Verbindungen zu gehen: Zwischen unterschiedlichen Lebens-Entscheidungen angesichts des NS-Terrors. Zwischen Macht und Ohnmacht. Zwischen individuellen Schicksalen und universellen Sehnsüchten. Vor allem aber zwischen der Vergangenheit und dem Heute.\n\nIn Gedenken an Ruth Claire Frank geb. Löb und Lore Strauß geb. Seidenberger\n\nDas Kollektiv LOCI schickt die Besuchenden mit Smartphone und Kopfhörern in der gelben Villa in der Pirckheimerstraße 32 auf Spurensuche. Dort wohnte und arbeitete einst die stadtbekannte Anwältin „Ganoven-Gabi“ Gabriele Lehmann, die als junge Frau an den Nürnberger Prozessen mitwirkte. Aber nicht nur das: In der gleichen Villa musste Emilie Löb in der Reichspogromnacht den Mord an ihrem Mann Simon miterleben.\n\nDie Mixed Media Inszenierung „Das Haus der Frau L“ führt die Besuchenden in Form eines Videowalks durch die Räume des dort beheimateten Kreativorts und Begegnungsraums VILLIBALD. Sie öffnet die Zeitschichten des Hauses und lässt die beiden Lebensgeschichten lebendig werden, die auf teils extrem unterschiedliche Arten von der NS-Zeit geprägt waren. Die beiden Frauen haben sich nie getroffen, und doch haben sie in den Zimmern des Hauses Spuren hinterlassen. Das Publikum ist eingeladen, auf die Suche nach Verbindungen zu gehen. \n\nLOCI versteht sich als ein Künstler:innenkollektiv, das an der Schnittstelle von Theater, Medienkunst und Ausstellung arbeitet und sich auf das Erlebbarmachen historischer Orte spezialisiert hat.\nFür „Das Haus der Frau L“ recherchierte LOCI fast 2 Jahre lang zur Geschichte der Villa: Sie besuchten Archive in ganz Deutschland, entdeckten Angehörige in den USA, Israel und Europa, reisten bis nach Südfrankreich, hörten zahlreiche spannende Geschichten von Nachbar:innen und Zeitzeug:innen und diskutierten mit Expert:innen der Erinnerungskultur.\n\nDer junge Kreativort VILLIBALD, mit dem LOCI für „Das Haus der Frau L“ kooperiert, ist eine historische Stadtvilla, die Raum für gemeinsames kreatives Arbeiten, Inspiration und Begegnung ermöglicht. Die geschichtsträchtige Villa wurde umfassend restauriert und 2022 – nach fast 10 Jahren Leerstand – als neuer Kreativort VILLIBALD eröffnet. „Das Haus der Frau L“ bereichert den Kreativort um eine spannende Facette: Die Mixed Media Inszenierung wird für alle Besuchenden des Ortes zugänglich sein und ihnen veranstaltungsunabhängig die Möglichkeit bieten, in die historischen Zeitschichten des Hauses einzutauchen.","year":"2024","duration":"90","format":"Audio/Videowalk","credits":"Idee, Konzept und Durchführung: [Maria Pfeiffer](https://www.mariapfeiffer.de/), Elena Zieser, [Niklas Kammermeier ](https://www.niklaskammermeier.de/)\nSprecherin: Bettina Wiehler \nBeratung: [Nathalie Frank ](https://nathalie-frank.com/)\nRecherche: Felix Hörath, Niklas Kammermeier \nAudiodesign: [Diana Karle ](https://www.instagram.com/dianavommond/?hl=de)\nLicht: Martin Jehle \nAssistenz: Karoline Krämer \nDigitale Infrastruktur: [Simona Leyzerovich ](https://www.zimoshka.de/)\nKommunikationsdesign: David Bummer/ fresh&korrekt kommunikation \nRaum und Koordination: [Simira Tang](https://villibald.de/kontakt/)\nFotos: [Rudi Ott](https://www.rudi-ott.de/rudi_ott_foto/Willkommen.html)\n\nHerzlichen Dank an Claus Peteranderl, Christof Neidiger/[Stadtarchiv Nürnberg](https://www.nuernberg.de/internet/stadtarchiv/), Alban Imeri/[RUN Medien](https://runmedien.de/), Michael Lehmann und Michaela März-Lehmann, Tom Strauß, Ingeborg Osborne und Hartmut Pösl\n\nIn Kooperation mit [VILLIBALD](https://villibald.de/) und der [Gesellschaft für Christlich-Jüdische Zusammenarbeit](https://www.wdb-franken.org/) in Franken e.V.\nGefördert von der [Stiftung „Nürnberg - Stadt des Friedens und der Menschenrechte“](https://www.nuernberg.de/internet/menschenrechte/stiftung_stadt_des_friedens.html), der Stadt Nürnberg Geschäftsbereich Kultur und der [Zukunftsstiftung der Sparkasse Nürnberg](https://www.sparkasse-nuernberg.de/zukunftsstiftung)\nRecherche- und Konzeptphase gefördert von [Fonds Darstellende Künste](https://www.fonds-daku.de/) aus Mitteln der Beauftragten der Bundesregierung für Kultur und Medien im Rahmen von NEUSTART KULTUR und der Stadt Nürnberg Geschäftsbereich Kultur\n\nAufführungen:\n[Premiere](https://loci-kollektiv.de/das-haus-der-frau-l/) am 8. 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Haus der Frau L","description":"The project tells the contrasting life stories of two former residents of a mansion in Nuremberg: Emilie Löb and Gabriele Lehmann. The two women never met, and yet they have left traces in the rooms of the house. Traces of careers, success and belonging, but also of loneliness, exclusion and crime. Visitors are invited to use their smartphones and headphones to search for connections: Between different life choices in the face of Nazi terror. Between power and powerlessness. Between individual fates and universal longings. But above all, between the past and the present.\n\nIn memory of Ruth Claire Frank née Löb and Lore Strauß née Seidenberger\n\nA different kind of remembrance project is being created in the north of Nuremberg: the LOCI collective sends visitors with smartphones and headphones on a search for traces in the yellow villa at Pirckheimerstraße 32. The well-known lawyer \"Ganoven-Gabi\" Gabriele Lehmann, who took part in the Nuremberg trials as a young woman, once lived and worked there. But that's not all: Emilie Löb was forced to witness the murder of her husband Simon in the same villa during the Reichspogromnacht.\n\nLOCI sees itself as an artists' collective that works at the interface of theater, media art and exhibitions and specializes in bringing historical places to life. For \"Das Haus der Frau L\", LOCI spent almost two years researching the history of the villa: they visited archives throughout Germany, discovered relatives in the USA, Israel and Europe, traveled as far as the south of France, heard numerous fascinating stories from neighbors and contemporary witnesses and discussed them with experts in the culture of remembrance.\n\nThe young creative space VILLIBALD, with which LOCI is cooperating for \"Das Haus der Frau L\", is a historic city villa that provides space for collaborative creative work, inspiration and encounters. The historic villa was extensively restored and opened in 2022 - after almost 10 years of vacancy - as the new creative space VILLIBALD. \"Das Haus der Frau L\" will add an exciting facet to the creative venue: the mixed media installation will be accessible to all visitors to the site and offer them the opportunity to immerse themselves in the historical layers of the house, regardless of the event.","year":"2024","duration":"90","format":"Audio/Videowalk","credits":"Idea, concept and realization: [Maria Pfeiffer](https://www.mariapfeiffer.de/), Elena Zieser, [Niklas Kammermeier ](https://www.niklaskammermeier.de/)\nSpeaker: Bettina Wiehler \nConsulting: [Nathalie Frank ](https://nathalie-frank.com/)\nResearch: Felix Hörath, Niklas Kammermeier \nAudio design: [Diana Karle ](https://www.instagram.com/dianavommond/?hl=de)\nLighting: Martin Jehle \nAssistance: Karoline Krämer \nDigital infrastructure: [Simona Leyzerovich ](https://www.zimoshka.de/)\nCommunication design: David Bummer/ fresh&korrekt kommunikation \nSpace and coordination: [Simira Tang](https://villibald.de/kontakt/)\nPhotos: [Rudi Ott](https://www.rudi-ott.de/rudi_ott_foto/Willkommen.html)\nMany thanks to Claus Peteranderl, Christof Neidiger/[Stadtarchiv Nürnberg](https://www.nuernberg.de/internet/stadtarchiv/), Alban Imeri/[RUN Medien](https://runmedien.de/), Michael Lehmann and Michaela März-Lehmann, Tom Strauß, Ingeborg Osborne and Hartmut Pösl\n\nIn cooperation with [VILLIBALD](https://villibald.de/) and the [Gesellschaft für Christlich-Jüdische Zusammenarbeit](https://www.wdb-franken.org/) in Franken e.V.\nSupported by the [Foundation \"Nuremberg - City of Peace and Human Rights\"](https://www.nuernberg.de/internet/menschenrechte/stiftung_stadt_des_friedens.html), the City of Nuremberg Department of Culture and the [Zukunftsstiftung der Sparkasse Nürnberg](https://www.sparkasse-nuernberg.de/zukunftsstiftung)\nResearch and concept phase supported by [Fonds Darstellende Künste](https://www.fonds-daku.de/) with funds from the Federal Government Commissioner for Culture and the Media as part of NEUSTART KULTUR and the City of Nuremberg's Culture Division\n\nAufführungen:\n[Premiere](https://loci-kollektiv.de/das-haus-der-frau-l/) am 8. 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Spieglein","description":"Mirror, mirror on the wall, who is the unhappiest in all the land?\n\nOh, how much easier it would be for the heart if there were no unhappy, sad, dark days. How gladly we sit at the table with joy, pleasure and enjoyment. We even give a place to fear, anger and doubt. But we unload the unhappiness. We don't want it. Unhappiness does not belong to us. We don't want to be unhappy! Don't worry, be happy.\nTogether with audio artist Elena Zieser and children age 8 to 12, Theater Mummpitz has set out on a playful quest to give unhappiness a place and a voice at the table. The children talk about being unhappy in their home, their school, their street, their world.\n\nThe children's stories, thoughts and feelings have resulted in an audio play for people age eight and over.","year":"2024","duration":"20","format":"Mono, 4 channels","credits":"With: Kids at Aktivspielplatz Gostenhof in Nürnberg\nIdea and Concept: Andrea Maria Erl, Sabine Zieser\nDirection and Editing: Elena Zieser\nGuitar: Nathan Johnson\n\nProduced by Theater Mummpitz, 2024.\n\nPremiere:\n13. Europäisch-bayrisches Kinder- und Jugendfestival [panoptikum](https://festival-panoptikum.de/) in Nürnberg, 2024\n\nAwards:\nnominated at [15. Berliner Hörspielfestival](https://berliner-hoerspielfestival.de/), 13.-15.September 2024, Berlin\nWinner of the 15th Berliner Hörspielfestival, category [\"Kurzes brennendes Mikro\"](https://berliner-hoerspielfestival.de/die-gewinnerstuecke-2024/), 2024","createdAt":"2024-02-22T15:57:48.822Z","updatedAt":"2024-10-05T08:18:43.884Z","publishedAt":"2024-02-22T15:58:05.042Z","locale":"en","videoURL":null}}]}}}],"meta":{"pagination":{"page":1,"pageSize":25,"pageCount":1,"total":25}}}